Archive for the ‘PROTO-WRITING’ Category

Further, Göbekli Tepe H and I symbols.

November 29, 2021

All begun when reading: https://www.ancient-origins.net › co…Cosmic Power of the Shaman and Symbols at Göbekli Tepe – Part II < The H Symbol Ray Urbaniak interprets the “H” symbol to mean double T shapes. Two T shapes butted together form a double T. He also says that Tau represents half of which is in the spiritual world. So, we can imagine that the “H” symbol consists of two Tau symbols The I Symbol The “I” symbol of ancient Mexican mythology not only exhibits a single Tau of two forms, but in different positions, as well as two double-headed figures joined in one, which illustrates the duality, above and below, or heaven and earth. … ….. In Proto-Turkish culture the “I” symbol was called as the “ON: Cosmos”. Interestingly, In Chinese culture “I” symbol represents the shaman or spirit intermediary, so-called Wu. The widespread usage amongst indigenous American peoples of the inverted and upright Tau shape as emblems of the above and below is abundantly proven and doubtlessly arose as naturally as the Chinese characters “Shang: Above”, employed as a symbol for heaven, and “Lea: Below or Beneath”, employed as a symbol for earth. The connection between Heaven and Earth represents the creation of innocence and this is reflected by the central line. … So, I can suggest that the mysterious “I” symbol is about a “Heaven (Sky) – Earth connection: so the life could exist”. In shamanic belief, Earth takes its life force from the sky via the navel cord. Göbekli Tepe should be seen as an important site for this reason. (Interestingly, In Turkish “Göbek” means “The Navel”). In this, creative powers unite for birth or rebirth. Therefore, some specific days are vital for taking life energy from the sky or heaven. Life force is believed to be always there, but not always visible. It is believed to be visible on specific days of year. These days are the equinox and solstice days. On the other hand, the “H” or slanted “I” symbol may be about East-West, Woman-Man or God-Goddess connections.> Mr. Özgür!: H character is not Wu but Gong “work” ! ========= H AND I ARE VARIATIONS OF THE SAME BASIC SHAPE ! Mr. Urbaniak and Özgür reasonings are consistent with my findings: proto-sumerian sign “T”=”Me” in my opinion means Proto-Sumerian/Euphratic “life spirit”, sumerian “divine power, being, ancestor”.

Sumerian Cuneiform English Dictionary 12013CThttps://ia801408.us.archive.org › items › Sumerian …PDFMay 5, 2000 — And the MUGSAR is proudly, and primarily, a Sumerian dictionary of the first … ME, àm = I am, to be (is / was) | [750x] being

H is composed of two T, so Meme could be related to: – “all divine powers=cosmos” , (2×Me,plural Meme)…or – sumerian healing goddess (shaman?) Ur-Meme, Meme=Gula ===========

It is supposed that at Gobekli Tepe practiced paganist, shamanic rituals. Related to H/I symbols, interesting enough the chinese character for shaman is containing an H character. https://en.m.wikipedia.org/wiki/Wu_(shaman) The contemporary Chinese character 巫 for wu combines the graphic radicals gong 工 “work” and ren 人 “person” doubled (cf. cong 从). This 巫 character developed from Seal script characters that depicted dancing shamans, which descend from Bronzeware script and Oracle bone script characters that resembled a cross potent.>

https://hanjatime.wordpress.com/2015/05/31/18-it-takes-work-%E5%B7%A5/am

You see we are encountering in H/I shape, twice “shaman” (1.as sumerian Meme,Gula and 2.with chinese character Wu=shaman) !and also Twice “Life” : (1.Özgür “Life force” and 2. twice Me, Me+Me, twice “life spirit, being“) See Wikipedia Wu(shaman) Work Ethics and Work Valuations in a Period of Commercialization: Ming China, 1500–1644*

Published online by Cambridge University Press

“Labour” is expressed by the term lao

, which has the connotation of “toil”, “pain”, and “exhaustion”, or qin

, which implies diligent or industrious work. Both refer mainly to physical work, especially in agriculture. Another designation for work is gong

Since this character is derived from a tool-like object, probably a carpenter’s square, it is predominantly associated with craft or proto-industrial production. …..Wu: female shamans in ancient China <Ancient oracle bone inscriptions use wu most frequently in relation to spirit sacrifices and for calls to “bring the wu.”….The oldest Chinese dictionary, Shuowen Jiezi, equates wu with zhu, a ritual invocator, and with ling, “spiritual, divine.” It underlines the female signification of wu: “wu is a zhu (invoker or priest), a woman who is able to render [herself] invisible, and with dance to invoke gods to come down.. Anciently, men and spirits did not intermingle. At that time there were certain persons who were so perspicacious, single-minded, and reverential that their understanding enabled them to make meaningful collation of what lies above and below, and their insight to illumine what is distant and profound. Therefore the spirits would descend upon them. The possessors of such powers were, if men, called xi (shamans), and, if women, wu (shamanesses). It is they who supervised the positions of the spirits at the ceremonies, sacrificed to them, and otherwise handled religious matters. As a consequence, the spheres of the divine and the profane were kept distinct. The spirits sent down blessings on the people, and accepted from them their offerings. There were no natural calamities. [Bodde, 390-1] >

÷÷÷÷÷÷÷÷÷÷÷÷÷

Also interesting, the porthole shape is identical with old chinese characters for sun “ri” (and moon “yue”)

Göbekli Tepe gerçek bir medeniyetin özelliklerini taşıyor mu?

November 17, 2021

Arkeolojik açıdan, yaşı ne olursa olsun, kendine has özellikleri olan her arkeolojik yer bir medeniyettir, örn. Natufian, Vinca. Bir gönderiden: Tanrı ve Güneş: Göbekli Tepe’deki Yazı Robert M. Schoch, Catherine Ulissey ile.

<< Geleneksel tarihçiler ve arkeologlar, kişinin gerçek uygarlığı tanımlayabileceği üç ana ayırt edici özelliğe sıklıkla dikkat çekmiştir: 1) Anıtsal taş mimarisi, 2) Yerleşik kentsel (şehir) yaşamı ve 3) Yazı. Tarihöncesi genellikle bir toplumun okuryazar olmasıyla eşitlenir; herhangi bir yazılı kitabeleri veya kayıtları yoksa, o zaman gerçek bir kayıtlı tarihleri ​​yoktur ve hem tarih öncesi hem de uygarlık öncesidirler. Ayrıca, geleneksel statüko düşüncesine göre, yazı ilk olarak MÖ 3000’den hemen önce Sümer ve Mısır’da icat edildi; bu nedenle, gerçek uygarlığın başlangıcını bu zamana kadar tarihlendirebiliriz. Ancak, 6000 yıldan fazla bir süre önce Kuzey Mezopotamya’da inanılmaz derecede sofistike Göbekli Tepe sitesini bulduk. Pek çok ana akım tarihçi, Göbekli Tepe’nin inşaatçılarına gerçek uygarlık etiketini uygulama konusunda tereddüt ediyor, ama neden? Anıtsal mimariye ve olası kentsel yerleşimlere rağmen, Göbekli Tepe’nin yaratıcılarına gerçek medeniyet unvanını inkar edecek olan araştırmacılar için en iyi argüman, görünüşe göre herhangi bir yazı biçimine sahip olmadıklarıdır (ya da öyleydi). Bununla birlikte, en son kanıtlar bu görüşü tamamen değiştirdi ve şüphecilerin bile medeniyetin kökenlerinin ne zaman ve nerede olduğunu yeniden düşünmesini talep ediyor.>>

Bu kriterle benim görüşüm Bay Schoch’unkiyle çelişiyor,

1) Anıtsal taş mimari, EVET 2) Yerleşik kent (şehir) yaşamı ve HAYIR (sadece hafif izler) 3) Yazı. HAYIR (yalnızca ilkel bir senaryo+işaret koleksiyonu, ilk yazma aşamasına ulaşmamış) Doğru değil Bay Schoch’un ifadesinin herhangi bir yazı biçimi yokmuş.

GENEL SONUÇ = Gerçek bir medeniyet değil. …..

Ancak çok ilginç bir şey buldum:  << Şimdi, meslektaşım Dr. Manu Seyfzadeh’in öngörüsü sayesinde, Göbekli Tepe’de bulunan sembolik gösterim için potansiyel bir bağlam ve karşılaştırmaya sahibiz. Seyfzadeh’in belirttiği gibi, Göbekli Tepe’deki bazı semboller, bin yıl sonra aynı genel bölgede (modern Türkiye) kullanılan Anadolu Hiyerogliflerine (Luwian ve/veya Hitit Hiyeroglifleri olarak da anılır) oldukça benzerdir. Bu tamamen tesadüf mü? olmadığını düşünüyoruz. Gerçekten de Anadolu Hiyeroglifleri ile Göbekli Tepe sütunlarından bazılarına oyulmuş semboller arasındaki bazı önemli benzerliklere işaret eden teknik bir makale yayınladık (Manu Seyfzadeh ve Robert Schoch, Arkeolojik Keşif, Şubat 2019, cilt 7, sayfa 31-53). … Anadolu Hiyeroglif yazıtları genellikle MÖ ikinci ve erken birinci bin yıllara tarihlenir (çoğu MÖ 1300-900 arası döneme aittir). Bu, Göbekli Tepe’nin inşasından 8000 yıl veya daha fazla bir süre sonra, ancak Göbekli Tepe halkı tarafından kullanılan bir yazı sisteminin en azından parçalarının hayatta kaldığını ve bazı durumlarda çeşitli değişikliklerle Anadolu Hiyeroglifleri sistemine dahil edildiğini gösteren dikkate değer korelasyonlar var. – ki bu oldukça anlaşılır ve hatta bu kadar uzun bir zaman diliminde beklenen bir durumdur. >>

Onlar (Schoch, Seyfzadeh) bilmiyorlar, daha çok bilmiyormuş gibi yapıyorlar ve Göbekli Tepe’den nispeten fazla sayıda işaret (12-20?) gösterdiğim son araştırmamdan haberdar değiller, onları çok daha yakın buldum o döneme (2500 yıl daha yakın) Sümer proto-çivi yazısı işaretleri arasında.

Ve sütunların “T” işaretini, “Ben” proto-çiviyazısı işaretinin eşdeğerine sahip olarak tanımlamaktan gurur duyuyorum. İnsan, toplum hayatı, ilahi ilişki alanında karmaşık bir anlamı vardır.

http://cdn.sci-news.com/images/enlarge3/image_4996_1e-Gobekli-Tepe.jpg

….Ama sanırım önemli bir düzeltmeyle geri dönmem gerekiyor. Anladığım kadarıyla, (aslında başkaları da) toplumu, Göbekli Tepe toplulukları eşi görülmemiş düzeyde bir sistem ve organizasyona sahipti, sadece mevcut Çinli ve Almanlarla karşılaştırılabilir (ama çok ötesinde). : Mevcut işaretler göz önüne alındığında, yeryüzünde yok olana kadar insan türünün, ister “uygarlık” desek, ister “medeniyet” olarak tanımlasak da, ne derseniz deyin, böyle bir düzeye gelemeyecek gibi görünüyor.

Gobekli Tepe have the characteristics of a true civilisation ?

November 17, 2021

From archaeological point of view, every archaeological place with own characteristics, not matter age is a civilisation, e.g. Natufian, Vinca. From a post: God and the Sun: The Writing at Göbekli Tepe By Robert M. Schoch, with Catherine Ulissey

<< Traditional historians and archaeologists have often pointed to three major distinguishing characteristics by which one can identify true civilization: 1) Monumental stone architecture, 2) Settled urban (city) life, and 3) Writing. Prehistoric is often equated with a society being pre-literate; if they do not have any written inscriptions or records, then they do not have a true recorded history and are both pre-historic and pre-civilized. Furthermore, according to conventional status quo thinking, writing was first invented just prior to around 3000 BCE in Sumer and Egypt; therefore, we can date the onset of true civilization to this time. However, over 6000 years earlier in Northern Mesopotamia we find the incredibly sophisticated site of Göbekli Tepe. Many mainstream historians are hesitant to apply the label of true civilization to the builders of Göbekli Tepe, but why? Despite monumental architecture and possible urban settlements, the best argument, for those researchers who would deny the title of true civilization to the creators of Göbekli Tepe, is (or was) that they apparently did not have any form of writing. However, the latest evidence has completely changed this notion and demands that even the skeptics must rethink the when and where of the origins of civilization.>>

With this criteria, my opinion is contrary that of Mr. Schoch,

1) Monumental stone architecture, YES 2) Settled urban (city) life, and NO (only slight traces) 3) Writing. NO (only a rudimentary script+collection of signs, not reached proto-writing stage) Not accurate Mr. Schoch statement apparently did not have any form of writing.(e.g. proto-writing is a stage before true writing !)

OVERALL RESULT = Not a true civilisation. ….. But I found something very interesting:  << Now, through the insight of my colleague, Dr. Manu Seyfzadeh, we do have a potential context and comparison for the symbolic notation found at Göbekli Tepe. As Dr. Seyfzadeh noted, some of the symbols at Göbekli Tepe are remarkably similar to the Anatolian Hieroglyphs (also referred to as Luwian and/or Hittite Hieroglyphs) used in the same general region (modern Turkey) millennia later. Is this purely coincidental? We think not. Indeed, we published a technical paper pointing out some major similarities between the Anatolian Hieroglyphs and the symbols carved on some of the Göbekli Tepe pillars (Manu Seyfzadeh and Robert Schoch, Archaeological Discovery, February 2019, volume 7, pages 31-53). … The Anatolian Hieroglyphic inscriptions generally date to the second and early first millennia BCE (with many from the period of circa 1300–900 BCE). This is 8000 years or more after the construction of Göbekli Tepe, yet there are remarkable correlations suggesting that at least fragments of a writing system used by the Göbekli Tepe people survived and were incorporated into the system of Anatolian Hieroglyphs, in some cases with various modifications – which is quite understandable, and even expected, over such a vast length of time. >>

They (Schoch, Seyfzadeh) do not know, rather they pretend not to know and are not aware from my recent research in which I showed that a relatively large number of signs (12-20?) from Gobekli Tepe, I found them much closer to that period, (with 2,500 years closer) among the Sumerian proto-cuneiform signs.

And I am most proud of identifying the “T” sign of the pillars, as having the equivalent of the proto-cuneiform sign “Me”. It has a complex meaning in the sphere of the relationship man, society life, divine. http://cdn.sci-news.com/images/enlarge3/image_4996_1e-Gobekli-Tepe.jpg

Monumental round-oval buildings with their characteristic T-shaped monolithic pillars at Göbekli Tepe, Turkey. Image credit: Nico Becker, Göbekli Tepe Archive, German Archaeological Institute.

..But I think I need to come back with an essential correction. From what I begin to deduce, (in fact also others) society, the communities of Gobekli Tepe had a system and organization of an unprecedented level, comparable only (but far beyond) with the current Chinese and German.So the answer is rather this: Given the current signs, it seems likely that the human species will not reach such a level, whether we call it or define “civilization” or whatever you want, until its extinction on earth.

Transmisia si extinderea simbolului sacru T de la Gobekli Tepe

October 28, 2021

In domeniul culturilor si civilizatiilor este cunoscut fenomenul transmisiei.Exemplu, transmisia neoliticului sau agriculturii din Orientul Apropiat in Europa.Aceasta se poate produce pe cale demica si/sau culturala.Aici avem de-a face cu ambele. ————————- In postarile precedente am avansat o ipoteza privind semnificatia simbolului sacru T folosit in constructia pilonilor. In rezumat, m-am bazat in principal pe: – acceptia ulterioara a semnului sumerian T:”Me”.Acesta avea o semnificatie complexa,

The List of MEs in the Myth of Inanna and Enki – Angelfirehttps://www.angelfire.com › tintirbabylon › ME << ME este un cuvânt sumerian (probabil pronunțat „mai”) care nu are un singur echivalent în engleză exact >>

– Eu m-am sprijinit pe etimologia dedusa de cercetatorul rus V.V. Emelyanov si anume “vointa de a trai – faptul ca etapa de dezvoltare a religiei in care se afla populatia de la Gobekli Tepe era aceea de paganism. Paganismul inseamna in mare venerarea naturii. Adaug eu, si a vietii. – Avand in vedere cele de mai sus, semnificatia propusa de mine pentru simbolul T este “SPIRITUL VIETII“.

Sper ca nu mai este necesar sa revin cu precizarea ca pilonul T era templul, in care isi avea salasul spiritul vietii, asemanator cum ulterior templele si bisericile sunt lacasul Domnului. —————– Semnul T se regaseste sub o forma mai mult sau mai putin apropiata in diferite arii, avand semnificatii legate de viata:

SUMERIA https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns.html

https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns/ME~a.jpg

Platonic forms vs. Sumerian ME? https://www.reddit.com/r/pagan/comments/c0pumf/platonic_forms_vs_sumerian_me/?utm_source=amp&utm_medium=&utm_content=post_body << The cuneiform sign

This image has an empty alt attribute; its file name is ME~a.jpg

— called ME and representing the values: išibma, and me — is the root of the verb “to be” in the Sumerian language. Logographic words and compounds, written alone or in conjunction with the ME-sign, deal with the concept of “being,” i.e. a thing’s innate essence.>>

Me (mythology) – Wikipediahttps://en.wikipedia.org › wiki › Me_(mythology)In Sumerian mythology, a me is one of the decrees of the divine that is foundational to those social institutions, religious practices, technologies

The Mes…Ancient Sumerian Blueprints to … – Okar Researchhttp://balkhandshambhala.blogspot.com › 2013/09 › th…Sep 8, 2013 — “The Mes were documents or tablets which were blueprints to civilization

The Sumerian me as a Concrete Object – De Gruyterhttps://www.degruyter.com › aofo.1997.24.2.211 › pdf by J KLEIN · 1997 · Cited by 13 — the verb me “to be“,2 with the basic meaning: “essence,” i.e. “a thing’s divine- ly ordained essence,” or “what a thing should be

https://www.sumerian.org/prot-sum.htm << me, mì; gtildee: n., function, office, responsibility; ideal norm; the phenomenal area of a deity’s power; divine decree, oracle; cult. v., to be; the Sumerian copula; to say, tell.     poss. suffix, our. me3,6,7,9: battle. me6: to act, behave. >>

The Nostratic Macrofamily (with special reference to Indo …https://www.tandfonline.com › doi › pdfby AR Bomhard · 1992 · Cited by 66 — From the  very earliest days of IndoEuropean (IE) comparative … Proto-Uralic *me 1st person sg. personal pronoun stem: ‘I, me‘:

Este extrem de greu de explicata transmisia din generatievin generatie timp de 6.000 de ani a unor simboluri (de la 9.600 la 3.600 I.E.N.) Insa s-ar putea cumva explica dacacsitulnnu este chiar asa vechi, cum mi-actrecut mie prin cap si cum de exemplu se sustine aici

https://www.researchgate.net › 3174…(PDF) Dating Gobekli Tepe – Research Gate – Dating Gobekli Tepe: the evidence doesn’t support a PPNB date, but instead a possibly much later one. Dimitrios S. Dendrinos Ph.D.,

EGIPT Semnul Ankh are diferite semnificatii toate in urul vietii, exemplu “VIATA VESNICA”. Am gasit ca bucla ar reprezenta vesnicia iar crucea tau viata.De fapt bucla poate avea o semnificatie de ordin secundar in plus putand fi un maner al semnului T. https://store.signsofspirit.com/ankh-egyptian-eternal-life-ancient-septre-of-the-pharaoh-tau/?fbclid=IwAR09urjMxPmABFsZZmcUPwTUpYRUPhcYkS_n9YWPQFBmkJhjzYAxE3cQEec << Hieroglifă egipteană a Vieții Eterne, cunoscută și sub numele de Septra Antică a Faraonului, cheia vieții, cheia Nilului sau crux ansata. Acest simbol combină „tau” sau crucea în formă de T, care înseamnă „viață” și energia masculină, cu bucla sau cercul care reprezintă „eternitatea” și energia feminină. >>

ARIA EGEEANA Semnul Linear B “Za” https://images.app.goo.gl/tfWdQ77mLzASMsBR7

oldeuropeanculture בטוויטר: "And it looks like Egyptian Ankh could have  come from Sumerian An+Ki = Sky+Earth = Sky Father+Earth Mother = Life.  From: https://t.co/VM6XSserM1… https://t.co/9l8VlRtt4f"
Syllabic Grid of Ancient ScriptsZA Luvian Update to the Minoan Aegean Sign Concordance MinAegCon by Andis Kaulins https://lh3.googleusercontent.com/-G0auyIJyaWc/TXUSnF0B8nI/AAAAAAAABB0/D3r9ZrKL1ME/s1600/Syllable+ZA+Luvian+update+Minoan+Aegean+Sign+Concordance.png


https://www.ancient-symbols.com/symbols-directory/tau.html << The ancient Greek considered Tau to be symbolic of life and resurrection, while ‘theta’, the 8th letter of the alphabet was used to denote death. In ancient Egypt, the Tau symbol was thought to represent a phallus and was also regarded as the marker for holy waters. Ancient mythology associates the symbol with the Greek deity Attis and the Roman god Mithra or Mithras.>>

MENORCA, SPANIA

Taulas of Menorca. The Torralba d’en Salort. Image: Historic Mysteries.

wikipedia: Arheologul Michael Hoskin a sugerat ca taulele ar fi putut fi parte a unui vechi cult de vindecare. In acest sens putem asocia desigur vindecarea cu viata.

CIRCASSIA / ADYGHE Adyghe / Circassian Habze https://aratta.wordpress.com/2013/10/16/adyghe-circassian-habze/?fbclid=IwAR3W4VOJxDgVOvAfPLQ1b0KHzbrKXuLBFp9JgPq3cBg2pf53_TXnXTbZSao << Habze, sau Habza, scris și „Khabze” sau „Khabza”, numit și Habzism, definește religia etnică păgână, filosofia și viziunea asupra lumii a adyghilor sau a circasienilor.

File:Kors, Antoniuskors, Nordisk familjebok.png
„Crucea ciocanului” adyghe reprezentând zeul Tha.

În primul rând, Tha se exprimă pe sine generând Cuvântul sau Legea cosmică (Khy), tiparul primordial din care se formează în mod natural toate ființele, dezvoltându-se prin legi interne. Iluminarea pentru oameni corespunde unei înțelegeri a Legii lui Tha. Tha este omniprezent în creația sa (coagulare); conform textelor cosmologice adyghe, „spiritul său este împrăștiat în spațiu” >> ======= I P O T E Z A =======

USI, PORTI cu forma T

Am intalnit in Egipt si la Civilizatiile precolumbiene deschizaturi ori intrari in temple in forma de T. https://www.alamy.com/stock-photo/t-shaped-doorways.html

Pueblo Bonito: https://www.abrock.com/InterimReports/Chaco1/Chaco1.html

https://gamblershouse.wordpress.com/2011/09/06/the-gila-cliff-dwellings/amp/

T-Shaped Doorway, Gila Cliff Dwellings National Monument

Ancient America: Hovenweep http://nativeamericannetroots.net/diary/967

Va intrebati daca deschiderile pot avea ceva in comun inafara de forma T. In postarile mele anterioare am explicitat ipoteza mea, conform careia la 9.500-8.000 B.C. in faza paganista, pilonii T asemanatori unor trunchiuri umane, semnificau spiritul vietii.Spiritele in general nu aveau si nu au o forma concreta, acesta forma in T fiind o stilizare, esenta. Ei, se pare ca forma T a spiritelor stramosilor a difuzat si in alte culturi.Pentru a trece in cealalta lume spiritele aveau nevoie de o deschizatura,trecere, si logic ar fi ca poarta sa aiba aceeasi forma.Cam aceasta ar fi ipoteza mea.Desigur oricine se poate intreba, si as fi preferat si eu pentru o completa sustinere: – De ce nu apar si in alte parti (acolo unde avem deschizaturi T) spiritelle vietii (sau ce or fi) cu forma T? si – De ce nu avem in Anatolia deschideri in T ?

Concluzie finală. Simbolurile H si I de pe pilonii Gobekli Tepe.

September 30, 2021

Simbolul H este un semn rar, incepand de la petroglife si continuind apoi de-alungul timpului.

This image has an empty alt attribute; its file name is image-18.png
Rock Art Blog: ANOTHER BOGUS PALEOLITHIC STAR MAP – THE ACH VALLEY TUSK:
https://rockartblog.blogspot.com/2018/11/another-bogus-paleolithic-star-map-ach.html?m=1

Semnul iese la suprafată doar din preistorie si mult mai frecvent în timpurile ulterioare, când a fost folosit în scris. Destul de ciudat, apare frecvent pe pilonii in T de la Gobekli Tepe în două forme, H si I. Eu nu mi-am putut explica cum ar putea sa fie transmise niste simboluri timp de 6.000 de ani din generatie in generatie? (de la 9.600 la 3.500 zI.E.N.) Numai (ma gandeam) daca situl de la Gobekli Tepe nu este chiar asa de vechi, dupa cum sustine profesorul Dimitrios Dendrinos: https://www.researchgate.net › 3174…(PDF) Dating Gobekli Tepe – ResearchGate — Dating Gobekli Tepe: the evidence doesn’t support. a PPNB date, but instead a possibly much later one./ Dovezile nu sustin o datare PPNB, dar în schimb una posibil mult mai târzie

Dimitrios S. Dendrinos Ph.D.,

Din lucrarea lui Wayne Herschel http://thehiddenrecords.com/gobekli-tepe-taurus-bull

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This image has an empty alt attribute; its file name is image-21.png

Dead heads: Turkish site reveals more evidence of neolithic 'skull cult' |  Archaeology | The Guardian
https://i.guim.co.uk/img/media/e24aac235278b76f87b090d863ea31a2fad53bc2/0_1012_2477_1486/master/2477.jpg?width=620&quality=85&auto=format&fit=max&s=9d3bef43d34a487da9ac3091da9062c5

Dacă încercați să găsiți originea sau cel puțin o sursă de inspirație pentru semnul H pe Pământ și pe Cer, va fi foarte greu de găsit, mai ales într-un trecut atât de profund. Nu ar putea fi un fosfen sau o ieșire instantanee din mintea cuiva. Au existat alte propuneri si explicații pentru semnele H la Gobekli Tepe: – Fiind o pereche, doi oameni uniți; – H compus din două semne T (Ray Urbaniak). – Acesta de mai sus, în opinia mea, înseamnă si două semne proto-cuneiforme sumeriene T = eu, eu-eu (sub + deasupra = cosmos). – Simbolul Luwian în formă de „H” este logograma pentru PORTA („poartă”; Petra Goedegebuure, comunicare personală). Nu atât de multi semeni dtiu că strămosul literei H latine / grecești erau următoarele semne: – semne elamite liniare da,

This image has an empty alt attribute; its file name is image-19.png
https://www.boloji.com/articles/10657/a-new-light-on-the-decipherment-of


Vechile ideograme chinezesti,

This image has an empty alt attribute; its file name is image-25.png
https://www.digmandarin.com/wp-content/uploads/2018/06/htw4.jpg

Semnul Linear a, “Pa3”

This image has an empty alt attribute; its file name is image-22.png
http://2.bp.blogspot.com/_a_qIRGD3pJ0/S_qxpdDgI3I/AAAAAAAAAbA/QcXKTDMye5A/s1600/Linear-A-base.jpg

Semnul Luwian porta=usa,

This image has an empty alt attribute; its file name is image-24.png
https://m.scirp.org/papers/90367?fbclid=IwAR3NaxYxX7x8YwwExdwp_ybzTX11VdD7oXsqpkBjPOzhzjhp6LE_mGFCIPE#f10

Si semnul vechi canaanit Cheth/heth: https://upload.wikimedia.org/wikipedia/commons/f/fc/Paleo_Hebrew_Letter_Het.svg ….. Și toate acestea având la rândul lor (poate? Presupun) la origine semnul proto-cuneiform sumerian Ku.

This image has an empty alt attribute; its file name is image-26.png
https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns/KU~a.jpg

H, Heth și Ku au toate aceeasi schiță, în funcție de modul în care se unesc 6 puncte.

This image has an empty alt attribute; its file name is image-27.png
alphabet_chart_hhet_2.jpg

Dar ceea ce este mult mai important este faptul că acesta este aspectul pătrat al formei constelației Orion. Această formă asemănătoare „scării” este legată în tradiția egipteană cu cerul / viața viitoare De la https://en.m.wikipedia.org / wiki / Osiris “Prin speranța unei vieți noi după moarte, Osiris a început să fie asociat cu ciclurile observate în natură, în special vegetația și inundațiile anuale ale Nilului, prin legăturile sale cu creșterea heliacală a Orionului și a lui Sirius la începutul noului an. ” În vechea scriere chineză este legată de strălucire și lumină (vezi forma veche a ideogramelor soarelui și lunii). Să nu treacă neobservat ideogramele „de sus” și „sub” care sunt jumătate de semn H! ——– Nu este de mirare că forma H / Ku a apărut în cultura PPNA a lui Gobekli Tepe în două cazuri: ca simboluri H pe stâlpi și ca semnele Ku / Ladder / gate în așa-numitele găuri de hublou.

This image has an empty alt attribute; its file name is image-23.png
https://www.dainst.blog › 2017/03/20 https://ro.pinterest.com/pin/353251164495504746/

—— Indiferent ce a fost prima: cea mai mare pe cer, constelația Orion; „lumina” ur sumeriană (Uru-An-Na, lumina cerului), sau vreun semn antic pentru ușă, poartă / poartă

This image has an empty alt attribute; its file name is image-29.png
https://people.astro.umass.edu/~arny/constel/constel_tutmod.html

Din https://ttlawson.com › in-plain-sight-…In Plain Sight: The identity of the Twin Pillars of Göbekli Tepe << Mă aventurez ca, la fel cu „O” și „C”, „H” reprezintă, de asemenea, o figură cerească și, în plus, un candidat probabil ar fi Orion – o constelație extrem de vizibilă și recunoscută pe scară largă. Orion poate fi vizualizat ca un „H.” Un rând de trei stele strălucitoare, „centura lui Orion” ușor identificabilă, ar constitui traversa, cele mai strălucitoare patru stele din constelație servind în perechi drept montanți, formând, aproximativ în paralel, două linii drepte imaginare. o serie de interpretări tehnice ale configurațiilor cerești având legătură cu Göbekli Tepe, multe cu privire la poziționarea structurilor în sine în raport cu evenimentele cerești. Acestea au sprijin în orientarea Stonehenge și a altor monumente ale epocii de piatră în ceea ce privește solstițiile. Găsirea „H” a emblemei lunii pentru a reprezenta Orion este de un alt fel, dar prezintă o nedumerire legată de timpul și locul observatorului. Așa cum se întâmplă, datorită precesiunii echinocțiilor, în 9000 î.Hr. Orion ar fi fost vizibil pe cerul sudic la Göbekli Tepe doar de la centură în sus. Cu toate acestea, acest lucru nu trebuie neapărat să stea în calea interpretării. Constelația ar fi fost vizibilă în întregime în sudul Mesopotamiei.Și au intrat în joc la sfârșitul paleoliticului superior și neoliticului niveluri ridicate de comunicare și schimb intergrupal în întreaga regiune: „Aceasta era o lume extrem de conectată. Au existat mai multe canale de comunicare de-a lungul cărora un repertoriu simbolic s-ar fi putut răspândi și reînnoi ”(Hodder și Meskell, 2011, p. 259). Prin urmare, nu este deloc plauzibil ca constelația în întregime să fi devenit un element fix în imaginația umană în întreaga regiune, chiar dacă Orion era vizibil în întregime doar într-o parte a acesteia. Mai mult, o figură atât de strălucitoare și distinctivă pe cerul nopții, precum Orion, ar invita la interpretare. Luați în considerare faptul că cineva de astăzi, ridicându-și privirea spre Orion, nu ar fi, fără a fi explicat într-un fel sau altul, să evoce imaginea unui vânător puternic.Că constelația este văzută ca atare, totuși oferă un alt motiv pentru ideea lui Orion: Orion este descris în mit ca un tovarăș de vânătoare al Marii alte zeițe Artemis – a cărei emblemă era semiluna – și care era, de asemenea, zeița vânătoarea. O altă stea deosebit de strălucitoare, Sirius, este direct asociată cu Orion, care apare în linie dreaptă din centura distinctivă a lui Orion. Numit „Steaua câinelui”, este legat în legendă de Orion ca unul dintre câinii săi de vânătoare. Luate, aceste conexiuni ar trebui să justifice un tratament provizoriu al „H” ca simbol pentru Orion, cel puțin până când se poate prezenta o explicație mai sigură.Semiluna lunii care se ridică recent înainte de zori este orientată spre orizontul estic din care se naște, așa cum ar putea fi un arc îndoit pentru a trimite o săgeată înapoi în acea direcție. Prin contrast, arcul semilunii lunii în creștere văzut înainte de apusul soarelui indică în direcția opusă, spre orizontul vestic în care se scufundă. Cele două „C” care încadrează figura „H” de pe centura stâlpului lunii ar replica cu acuratețe, prin urmare, poziționarea unei figuri astrale precum Orion – sau alta, Calea Lactee, de exemplu – ca fiind în picioare între semilunile opuse. deoarece ar putea fi meditați la răsăritul zilei și la amurg de către scanere antice ale cerului de noapte. >> eugenrau: Legat de extinderea vizibilității Orion, culturile Kebaran și Natufian s-au extins în principal în sudul Mesopotamiei. Din Gobekli Tepe and rebirth of Sirius http://www.andrewcollins.com

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https://i.pinimg.com/736x/d4/b9/23/d4b9239d7c18af59904739a4af595cfc.jpg

PROTOTIPUL SUMERIAN, VECHI CHINES, FENICIAN, LINEAR A ȘI TOATE SEMNELOR ASEMĂNĂTOR H (CARE MENTĂ STRĂLUCEȘTE, LIGT) SE GĂSEȘTE LA GOBEKLI TEPE 9.600 î.Hr. ! Legat de scopul și semnificația semnului, presupun că: – a fost folosit în ritualurile moartii, ritualuri legate de cultul strămoșilor (seelenloch = gaura sufletului; vezi hublourile templului) și posibil în astronomie / calendare. – semnificația exactă era posibilă, chiar de atunci. Cel puțin nu era un nume pentru Orion. Dacă ghiciți o semnificație a semnului, acesta ar putea fi: „strălucitor, ușor” … (poarta cerului?) În timp ce vânătorii-culegători Gobekli Tepe practicau înmormântarea cerului, este firesc să ne așteptăm să caute viața de apoi în cer. Orion, cea mai mare constelație vizibilă ar fi putut fi poarta, portalul prin care trebuiau să treacă. Documentație https://symbolsage.com/sumerian-gods-list/Gula, cunoscută și sub numele de Ninkarrak, a fost zeița vindecării, precum și patronul medicilor. Era cunoscută sub mai multe nume, inclusiv Nintinuga, Meme, Ninkarrak, Ninisina , Și „doamna lui Isin”, care au fost inițial numele altor zeițe. ” * Că semnele H și I ar putea fi văzute ca fiind compuse din două semne T, nu am nicio prioritate pentru ideea Puterea cosmică a șamanului și simbolurile la Göbekli Tepe – Partea II De Özgür Etli OZGUR BARIS ETLI << Sunt Ozgur Baris Etli, m-am născut în EskiÅŸehir, Turcia. Am finalizat atât programul meu de licență, cât și programul de masterat în astronomie și științe spațiale la Universitatea Ege, Äzmir, Turcia. Teza mea de licență a fost despre exoplanete și teza de masterat despre căutarea bio-moleculelor în … Citește mai mult >> Din https://www.ancient-origins.net/opinion-guest-authors/cosmic-power-shaman-and-symbols-g-bekli-tepe-part-ii-005194?fbclid=IwAR3VFECUBQyfaWWEbsgMCgaYCMwDHEwJ87PsWcyzfJABMtoLDe0qynAWGDY Puterea cosmica a samanului …… Simbolul „H” nu este doar un simbol monolitic în sine. Se compune din două părți, pe care le putem defini ca Tau … Ray Urbaniak interpretează simbolul „H” pentru a însemna forme duble T. Două forme de T unite formează un T. dublu. El mai spune că Tau reprezintă jumătate din lumea spirituală. Deci, ne putem imagina că simbolul „H” constă din două simboluri Tau. În opinia mea, ambele simboluri laterale de lângă simbolul „H” reprezintă soarele care răsare și apune. … Utilizarea pe scară largă printre popoarele americane indigene a formei Tau inversate și verticale ca embleme ale celor de sus și de jos este dovedită din abundență și a apărut, fără îndoială, la fel de natural ca și caracterele chinezești „Shang: Deasupra”, folosite ca simbol pentru cer, și „Lea: dedesubt sau sub”, folosit ca simbol pentru pământ. Conexiunea dintre Cer și Pământ reprezintă creația inocenței și acest lucru este reflectat de linia centrală. …. Așadar, pot sugera că misteriosul simbol „H” este despre o legătură „Cer (Cer) – Pământ: deci viața ar putea exista”. În credința șamanică, Pământul își ia forța vieții din cer prin cordonul ombilical. Din acest motiv, Göbekli Tepe ar trebui văzut ca un site important. (Interesant este că în turcă „Göbek” înseamnă „Buricul”). …. Se crede că forța vieții este întotdeauna acolo, dar nu întotdeauna vizibilă. Se crede că este vizibil în anumite zile ale anului. Aceste zile sunt echinocțiul și zilele solstițiului. Pe de altă parte, simbolul „H” sau „Me” înclinat poate fi legat de conexiunile Est-Vest, Femeie-Om sau Zeiță-Dumnezeu. …. În acest caz, șamanul poate fi servit și ca o punte ritualică între pământ și cer. >>

Contribuția mea la dezvoltarea științei, pentru care nu am găsit ideea altcuiva, a fost că am afirmat ca FORMA T A FOST LA ORIGINEA SEMNULUI SUMERIAN PROTO-CUNEIFORM ULTERIOR : ME=„PUTERI DIVINE” Deci, două semne T combinate dând formă lui H și I, care este puterea divină multiplicată și semnifică legatura intre sus si jos, PUTEREA TOTALĂ, ȘAMANICĂ = PUTEREA COSMICĂ

Interesant este ca sumerienii aveau cunostinta de o asemenea legatura: https://aratta.wordpress.com › nippu… Nippur (E-kur/Duranki): The Omphalo of the sumerians < Duranki (Dur.An.Ki) a fost termenul sumerian pentru oamenii care au fost creați de zeii lor. Dur se traduce prin Bond, An este cer și Ki pământ>

…… Pământul a fost imaginat plat in acele timpuri, iar cerul ca un acoperiris plat, nu curbat. Cerul și Pământul au fost unite printr-o legatura in mijlocul semnelelor H și I, ca un mat de buric. Gobek / lb.turca = “buric”

Utah petroglyphs
https://www.ancient-origins.net/sites/default/files/Utah-petroglyphs.jpg

Notă. 1. MeMe este Me reduplicat, iar dacă Me este putere divină, meme va fi pluralul, puteri divine. A existat o divinitate feminină sumeriană Bau, Baba, Ur-Bau sau Ur-Meme cunoscută și sub numele de Gula. Gula este în sumeriană “putere” (aproape de Gyula maghiară). De la https://www.worldhistory.org/Gula/ <<Gula (cunoscută și sub numele de Ninkarrak) este zeița babiloniană a vindecării și patronă a medicilor, a artelor vindecătoare și a practicilor medicale. Ea este atestată pentru prima dată în perioada Ur III ( 2047-1750 î.Hr.) unde este menționată ca o mare zeiță a sănătății și bunăstării …. Numele ei (Gula) înseamnă „Mare” ..>> „Deci vedeți acel semn H, compus din două T = eu = putere divină este meme care înseamnă Gula, puteri. 2. Ur-Meme a fost un fel de medic, om-medic(al) = șaman Din https://cz.stories-college-science.rest ›… Citește online Zeița vindecătoare Gula către o înțelegere … << Vindecarea – vindecarea sufletului sau corpului cuiva spre sănătate, șaman, om medicinal, … Gula / ninkarrak este o zeitate vindecătoare ..>> “Forma” T “și pilonii T a fost asociată și chiar mai mult, identică cu sacrul. Aproape același lucru a fost adevărat pentru simbolurile H și I, erau simboluri sacre.

Final conclusion.The H and I symbols on Gobekli Tepe’s pillars.

September 26, 2021

H symbol is a rare sign from petroglyphs along ages onward.

Rock Art Blog: ANOTHER BOGUS PALEOLITHIC STAR MAP – THE ACH VALLEY TUSK:
https://rockartblog.blogspot.com/2018/11/another-bogus-paleolithic-star-map-ach.html?m=1

It is coming to surface only from prehistory, and much frequently in later time, when was used in writing. Weird enough it is appearing frequently on T-pillars at Gobekli Tepe in two shapes, H and I. Wayne Herschel propose that icons to be for Orion constellation: http://thehiddenrecords.com/gobekli-tepe-taurus-bull

Dead heads: Turkish site reveals more evidence of neolithic 'skull cult' |  Archaeology | The Guardian
https://i.guim.co.uk/img/media/e24aac235278b76f87b090d863ea31a2fad53bc2/0_1012_2477_1486/master/2477.jpg?width=620&quality=85&auto=format&fit=max&s=9d3bef43d34a487da9ac3091da9062c5

If you try to find the origin or at least a source of inspiration for H sign on Earth and in the Sky, will be very hard to find one, especially in such deep past. Could not be a phosphene or instant-out of one’s mind. There were other proposals and explanations for H signs at Gobekli Tepe: – As beeing a pair, two united humans; – H composed of two T-signs(Ray Urbaniak). – This one above, in my view also mean two sumerian proto-cuneiform T=me signs, me-me (under+above=cosmos). – The “H”-shaped Luwian symbol is the logogram for PORTA (“gate”; Petra Goedegebuure, personal communication). ———– Besides, Sidharth thinks “H” sign on one of the centered pillars symbolizes Orion constellation. According to him, sun and moon signs remark the solar eclipse [4]. According to Schmidt, H-like sign characterizes the man and woman relationship. https://ekstrembilgi.com/archaeology/the-secret-of-gobekli-tepe-cosmic-equinox-and-sacred-marriage/ ———– Not so many fellows know that the ancestor of latin/greek H letter were folowing signs: – linear elamite signs da,

 https://www.boloji.com/articles/10657/a-new-light-on-the-decipherment-of
  • – Old chinese sun/moon ideograms,
https://www.digmandarin.com/wp-content/uploads/2018/06/htw4.jpg
  • Linear A sign Pa3
http://2.bp.blogspot.com/_a_qIRGD3pJ0/S_qxpdDgI3I/AAAAAAAAAbA/QcXKTDMye5A/s1600/Linear-A-base.jpg
  • Luwian sign porta/door

https://m.scirp.org/papers/90367?fbclid=IwAR3NaxYxX7x8YwwExdwp_ybzTX11VdD7oXsqpkBjPOzhzjhp6LE_mGFCIPE#f10
  • And canaanite-phoenician-old hebrew cheth/heth.
https://upload.wikimedia.org/wikipedia/commons/f/fc/Paleo_Hebrew_Letter_Het.svg

And all theese having in their turn (maybe? I hypothesise) at the origin the sumerian proto-cuneiform sign Ku.

https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns/KU~a.jpg

H, Heth and Ku all have the same blueprint/sketch, depending how one is uniting 6 points.

alphabet_chart_hhet_2.jpg

—— But what is much important is the fact that this is the sqetch of the shape of the Orion constellation.This “ladder”-like shape is linked in Egyptian lore with heaven/future life From https://en.m.wikipedia.org/wiki/Osiris “Through the hope of new life after death, Osiris began to be associated with the cycles observed in nature, in particular vegetation and the annual flooding of the Nile, through his links with the heliacal rising of Orion and Sirius at the start of the new year.” In old chinese writing is linked with shiny, light.(see the old shape of sun and moon ideograms). Not to pass unnoticed the ‘above’ and ‘under’ ideograms wich are half of a H sign! ——- No wonder that H/Ku shape appeared in PPNA culture of Gobekli Tepe in two instances: as H symbols on pillars and as Ku/Ladder/gate signs in so called port-holes.

https://www.dainst.blog › 2017/03/20 https://ro.pinterest.com/pin/353251164495504746/

———- No matter what was first: Biggest on sky, Orion constellation; sumerian Ur “light” (Uru-An-Na, light of heaven),or some ancient sign for door,gate/gateway ========

https://people.astro.umass.edu/~arny/constel/constel_tutmod.html

eugenrau: Related to Orion visibility extension, Kebaran and Natufian cultures extended mainly in southern Mesopotamia. From Gobekli Tepe and rebirth of Sirius http://www.andrewcollins.com From https://ttlawson.com › in-plain-sight-…In Plain Sight: The identity of the Twin Pillars of Göbekli Tepe << I venture that, as with the “O” and the “C,” the “H” also represents a celestial figure, and furthermore that a likely candidate would be Orion — a highly visible and widely recognized constellation. Orion can be visualized as an “H.” A row of three bright stars, the readily identifiable “Orion’s belt,” would constitute the crosspiece, with the four most brilliant stars in the constellation serving in pairs as the uprights, forming, roughly in parallel, two imaginary straight lines.There have been a number of technical interpretations of celestial configurations having to do with Göbekli Tepe, many with respect to the positioning of the structures themselves in relation to heavenly events. These have support in the orientation of Stonehenge and other Stone Age monuments in respect to the solstices. My finding the “H” of the moon emblem to stand for Orion is of a different sort, but it does present a perplexity having to do with the time and place of the observer. As it happens, owing to the precession of the equinoxes, in 9000 BC Orion would have been visible in the southern sky at Göbekli Tepe only from the belt up. This, need not necessarily, however, stand in the way of the interpretation. The constellation would have been visible in full in southern Mesopotamia. And there had come into play in the late Upper Paleolithic and Neolithic high levels of intergroup communication and interchange over the whole of the region: “This was a highly connected world. There were multiple channels of communication along which a symbolic repertoire could have spread and been renewed” (Hodder and Meskell, 2011, p. 259). It is therefore by no means implausible that the constellation in full might have become a fixture in the human imagination throughout the region, even though Orion was visible in full in only part of it. Moreover, such a bright and distinctive figure in the night sky as Orion would invite interpretation. Consider that someone today, looking up at Orion, would not, without its being in some way explained, readily conjure up the image of a mighty hunter. That the constellation is seen as such, however, supplies a further ground for the idea of Orion here: Orion is portrayed in myth as a hunting companion of the Great other goddess Artemis — whose emblem was the crescent moon — and who was also goddess of the hunt. Another notably bright star, Sirius, is directly associated with Orion, appearing in a straight line from Orion’s distinctive belt. Called the “Dog Star,” it is linked in legend with Orion as one of his hunting dogs. All taken, these connections should warrant a provisional treatment of the “H” as a symbol for Orion, at least until a surer explanation might present itself. The crescent of the moon newly rising before dawn is oriented toward the eastern horizon from which it arises, as might be a bow bent to send an arrow back in that direction. By contrast, the bow of the crescent of the waxing moon seen before sunset points in the opposite direction, toward the western horizon into which it sinks. The two “C’s” framing the “H” figure on the belt of the moon pillar would accurately replicate, therefore, the positioning of an astral figure such as Orion — or another, the Milky Way, for instance — as standing between the opposed crescents as they might be pondered at break of day and at dusk by ancient scanners of the night sky.>>

https://i.pinimg.com/736x/d4/b9/23/d4b9239d7c18af59904739a4af595cfc.jpg

My contribution (eugenrau) to the science developement, for wich I not found somebody else idea, that T SHAPE WAS AT THE ORIGIN OF LATER SUMERIAN PROTO-CUNEIFORM SIGN ME: “DIVINE POWERS So, two T signs combined giving shape to H and I, wich is multiplied divine power and signifies the connection between up and down, TOTAL, SHAMANIC POWER = COSMIC POWER Interesting sumerians knew of such a connection : From https://aratta.wordpress.com › nippu…
Nippur (E-kur/Duranki) : The omphalo of the Sumerians < Duranki (Dur.An.Ki) was the Sumerian term for the people who were created by their Gods. Dur translates to Bond, An is sky and Ki earth> THE PROTOTYPE OF SUMERIAN, OLD CHINESE, PHOENICIAN, LINEAR A AND ALL H-LIKE SIGNS (WICH MENT SHINE, LIGT) IS TO BE FOUND AT GOBEKLI TEPE 9,600 B.C. ! Related to the purpose and meaning of the sign, I suppose that: – was used in death, ancestor cult rituals (seelenloch=soul-hole;see temple portholes) and possible in astronomy/calendrics. – the exact meaning was possible already fergotten even then.At least was not a name for Orion. If guess a meaning of the sign, this could be: “shiny, light”…(heaven gate?) As Gobekli Tepe hunter-gatherers practiced sky burial, it is natural to expect they sought afterlife in the sky. Orion, the biggest visible constellation could have been the gateway, portal through they needed to pass Documentation

I found not explanation for the fact that H and T signs could be transmitted from generation to generation 6,000 years from Gobekli Tepe (9,600 B.C.) to sumerians (3,500 B.C.), a time span of 6,000 years ! ? But much easy explainable if the site is not so old.This idea arouse in my mind and was sustained by schollar Dimitrios Dendrinos : From https://www.researchgate.net › 3174…(PDF) Dating Gobekli Tepe – ResearchGate— Dating Gobekli Tepe: the evidence doesn’t support a PPNB date, but instead a possibly much later one. Dimitrios S. Dendrinos Ph.D. From https://symbolsage.com/sumerian-gods-list/ “Gula, also known as Ninkarrak, was the goddess of healing as well as the patroness of doctors. She was known by many names including Nintinuga, Meme, Ninkarrak, Ninisina, and ‘the lady of Isin’, which were originally the names of various other goddesses.” ********* I have no priority for the idea that H and I signs could be seen as composed of two T signs. From Cosmic Power of the Shaman and Symbols at Göbekli Tepe – Part II By Özgür Baris Etli << Cosmic Power of the Shaman … In my opinion, the leopard skin emblematizes the Cosmic Puissance or cosmic power of the shaman.  The H symbol One of the highly disputed symbols is the H-like symbol (and also “( H )” symbol) which is seen carved on  Enclosure D pillars. Some say this symbol emblematizes the Orion constellation. I think this is not true. Because, besides the “H “symbol, there is an “I-like” symbol, which can define as slanted “H”. Both of them are not related to Orion. To provide some intriguing and factual meanings based on cultural and archaeological datas: “H” symbol is not only a monolith symbol itself. It consists of two parts, which we can define as Tau…Ray Urbaniak interprets the “H” symbol to mean double T shapes. Two T shapes butted together form a double T. He also says that Tau represents half of which is in the spiritual world. So, we can imagine that the “H” symbol consists of two Tau symbols. In my opinion, both of the side symbols next to “H” symbol represent the rising and setting sun. …The widespread usage amongst indigenous American peoples of the inverted and upright Tau shape as emblems of the above and below is abundantly proven and doubtlessly arose as naturally as the Chinese characters “Shang: Above”, employed as a symbol for heaven, and “Lea: Below or Beneath”, employed as a symbol for earth. The connection between Heaven and Earth represents the creation of innocence and this is reflected by the central line. ….So, I can suggest that the mysterious “I” symbol is about a “Heaven (Sky) – Earth connection: so the life could exist. In shamanic belief, Earth takes its life force from the sky via the navel cord. Göbekli Tepe should be seen as an important site for this reason. (Interestingly, In Turkish “Göbek” means “The Navel”). ….Life force is believed to be always there, but not always visible. It is believed to be visible on specific days of year. These days are the equinox and solstice days. On the other hand, the “H” or slanted “I” symbol may be about East-West, Woman-Man or God-Goddess connections. ….In this case, the shaman may have also served as a ritual bridge between earth and sky. >>

…… the Earth was ment at 9,000 B.C. flat and the sky as a cover, so also flat not curved. Sky and Earth was united by middle stroke in H and I signs, like a navel cord. Gobek/turkish=”navel”

Utah petroglyphs
https://www.ancient-origins.net/sites/default/files/Utah-petroglyphs.jpg

Note. 1. MeMe is Me reduplicated, and if me it is divine power, meme will be plural, divine powers.There was a sumerian female divinity Bau, Baba,Ur-Bau or Ur-Meme known also as Gula. From https://www.worldhistory.org/Gula/ “Gula (also known as Ninkarrak) is the Babylonian goddess of healing and patroness of doctors, healing arts, and medical practices. She is first attested to in the Ur III Period (2047-1750 BCE) where she is referenced as a great goddess of health and well-being. ….Her name (Gula) means ‘Great‘ ..” Note: 《Gyula (title), a Hungarian title of the 9th-10th century It means Leader 》 So you see that sign H, composed of two T=me= divine power(s) is meme wich means Gula, “great” (power). 2. Ur-Meme was kind of wich, medicine-man=shaman From https://cz.stories-college-science.rest › …Read online The Healing Goddess Gula Towards an Understanding … “Healing – healing of one’s soul or body in wellness; shaman, medicine man, … Gula/ninkarrak is a healing deity..” Shape “T” and accordingly T-pillars was associated, and even more, identified with divine life spirit and power. ========== H and I signs. Are more complex, double T’s. Both had complex meaning: – Ment Orion, wich was the icon/symbol of light, heaven (and possible gateway toward it) – Ment Divine/cosmic powers, life force wich connects Earth and Heaven.There is at the hand of samans. – Both signs could be also ideograms for living creature/life. =========

In previous posts, I gave hard evidences that T-shaped pillars are divine, sacred symbols. Pillars are temples, in fact houses wich inhabit Life Spirit. If T shape is sumerian proto-cuneiform sign Me and had a complex meaning: “divine powers – divine decree – (divine) beeing – rite – will to live”, for Gobekli Tepe’s people had also complex meaning, but mainly “Life Spirit

From https://www.researchgate.net › 3305…Paradoxes of the Idea of Progress and Cultural … – ResearchGateС. 150-174 [Yemelianov V.V. On the Original Meaning of Sumerian ME (Images of … [Emelyanov V.V. An Answer to the Paper by I.A. 《me:”will to live“》 From https://en.m.wikipedia.org/wiki/Will_to_live “Ray Urbaniak interprets the “H” symbol to mean double T shapes. … He also says that Tau represents half of which is in the spiritual world. ” (.. and I am adding, sure also the cass for I symbols). If I stressed (later, after Urbaniak) that H is composed of two T-s, I was the sole wich found that H’s and I’s signs were composed in the same time as of two T’s, also composed of two sumerian proto-cuneiform Me signs ! I advanced that H and I are symbols much complex as Me “divine powers= life spirit”, are symbols of life-giving Divine Cosmic Powers. If Özgür Baris Etli asserted : “..So, I can suggest that the mysterious “I” symbol is about a “Heaven (Sky) – Earth connection: so the life could exist. In shamanic belief, Earth takes its life force from the sky via the navel cord.Göbekli Tepe should be seen as an important site for this reason. ” ÷÷÷÷÷÷ I give hard evidence (not supposing) to Baris Etli and mine hipothesis that H/I are symbols of divine powers wich connect Sky and Earth ÷÷÷÷÷÷÷ So, H and I symbols are also 2xT =Me-Me; Meme (Ur-Meme) was Gula healing Goddess.So H and I possible could be for sumerians Her symbols, and for Gobekli Tepe’s people divine powers of shamans symbols, with divine/healing powers as her’s.Shamans connects divine powers of Sky and Earth and restoring (sound) Life.

Review the age and authenticity of Tartaria tablets.

September 13, 2021

I was about to write an article in order to finaly prove that the authenticity of the Tartaria tablets is not supported, having more than 50 arguments to sustain this, with some 10 against. But I re-read Attila Laslos article: “Cui bono?Thought about reconsideration of Tartaria tablets” in wich he responded to assyoriologist Erika Qasim accusations regarding the archaeologists and tablets itself.   Qasim, Erika: Die Tărtăria-Täfelchen – eine Neubewertung. In: Das Altertum, ISSN 0002-6646, vol.58, 4 (2013),p. 307–318 See ACADEMIE ROUMAINE INSTITUT D’ARCHEOLOGIE « V. PARVAN » DACIA REVUE D’ARCHEOLOGIE ET D’HISTOIRE ANCIENNE NOUVELLE SÉRIE LX 2016 Cui bono? THOUGHTS ABOUT A “RECONSIDERATION” OF THE TĂRTĂRIA TABLETS ATTILA LÁSZLÓ* http://www.daciajournal.ro › …PDF Rezultate de pe web of the Tărtăria tablets – Dacia The passages (out of those regarding the signs) wich convinced me: << In her opinion (Masson, E. 1984 L’ écriture dans les civilisations danubiennes néolithiques. Kadmos 23, 2, 89-123. Berlin & New York. ), <<……even though the location, date and conditions of the discovery of the tablets remain uncertain until further clarifications, the careful examination of the tablets, the existence of the wear traces on their surface, for example, attest to the fact that they were not fakes: “…on observe notamment sur les tablettes 1 et 2 des traces d’usure, des parties de signes un peu effaces ou des fissures fréquentes autour des gravures. De tels fénomènes témoignent en faveur de l’ancienneté ; s’il s’agissait de faux, leur fabrication serait à attributer à un grand expert dans la matière, en même temps fin conaisseur des écritures archaïques qu’à ma conaissance la Roumanie ne possède pas”53. Another fact can be added to these observations: in the case of a fake, the forger would have striven to produce an object as faithfully similar as possible to the Mesopotamian model which he wanted to imitate, would have taken care to choose quality raw material, and to respect the format of the tablets (which should not have been perforated and fired), to apply the corresponding writing techniques (by impression), and to reproduce some of the most characteristic signs. He would also have taken care to ensure the proper excavation documentation in order to prevent later suspicions regarding the circumstances of the discovery. Beyond these logical arguments, the factual observations attesting to the authenticity (ancient character) of the tablets, some of which have already been mentioned above, are decisive. It should also be noted that the existence of a calcareous coating on the surface of the tablets, which had to be removed in order to make the signs visible, was an actual proof of the fact that the objects had lain underground for a sufficiently long period of time to be able to form the lime accumulation. ….. Until such analyses are carried out, the observation resulting from the recent microscopic investigations
on the surface of the tablets, according to which, in the grooved outline of some of the signs on the tablets, traces of soil have been found, remains decisive: “The close examination of the tablets indicates remains of soil inside the contour of several signs […] The humus mixed with rocks and minerals can only come from the ritual pit‐grave. This is another factual element in favour of the statement concerning the authenticity of the inscribed artefacts. The presence of the encapsulated soil excludes the accusations that they are a modern fake not identified by N. Vlassa, or just a “game” of the discoverer”56 (my underlining, A. L.). >> A. Laszlo was present at the diggins in the very day in wich tablets were found, but weird, totally unexplained, he did not saw them (!?). His arguments in the article Qui bono?….. turned my opinion again and convinced me that the tablets are not counterfaits. (I changed my mind before many times beeing convinced alternate that are genuine and counterfaits.)To be sincere his article could be mainly an reflex or defensive reaction. To defence and sustain the entire work of archaeologists then in charge at Tartaria site, work wich was criticised without mercy, and were advanced accusations. ————- The tablets are not counterfaits but in the same time not authentic ‘original, very old sumerian.The tablets are real indeed, were inscribed by somebody and in this perspective are “genuine”. Usually an scribe usually used the signs available in his time and area, wich definitely is not the case here.Tablets contain signs used in a large time span and extended area. More than that, there are pure pictographic signs on a tablet, ideograms on another (rectangular drilled) and syllabograms/letters (on that round one).But I will show you the evidence of not beeing older than 2.000 B.C. ! A scribe cannot know and use at a given moment signs wich were invented hundreds years later. ! … Wich is the case here, where on round tablet, entire upper row contain unexpected new signs: on the left side, an H-like (a ladder with 3 rungs) and at the right, some D-s and O-s. These signs with exact this shape not existed in proto-cuneiform by sumerians. ———– Sumerians used the proto-cuneiform Ku sign wich has a “boxed” shape. From https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns.html

https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns/KU~a.jpg

Folowing sign is GAR, meaning ninda = “ration/bread” See https://books.google.ro › booksTranslation as Scholarship: Language, Writing, and Bilingual …Jay Crisostomo — 2019 · Religion The sign gar, for example, iconically depicted a ration bowl in its original use in the late fourth millennium but …

https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns/GAR.jpg

————- So if we are expecting sumerian-like tablets those signs should not be present on tablets. Keep pleas in mind that “H” has an “open” shape and offset/slanted vertical bars and D is our/latin capital D.

https://neptest1.files.wordpress.com/2015/03/imagine-mare.jpg

First time this sign apperead in exact same shape for the first time in Cretan hieroglyphics and Linear A (2.000 B.C. as sign Pa3) and later in old canaanite/phoenician, as sign Cheth/Heth (1.500B.C.).

https://linearbknossosmycenae.wordpress.com/2017/08/27/so-called-cretan-hieroglyphs-are-not-hieroglyphs-at-all-example-2/amp/
Above, Linear A sign PA3

Above, alphabet_chart_hhet_2.jpg

Regarding D-shaped signs, oldest similar signs (sumerian) are:

Compare the cuneiform sign ninda , a logogram which represents the Sumerian word for “food” or “bread”. The first image is of ninda in a tablet from Ur ~3000 BCE, while the others are of ninda in a fragment of a medical text from Nineveh ~650 BCE. Big difference. https://mobile.twitter.com/Moudhy/status/1160935592420663296/photo/2

Some scholars said that the “scribe” imitated sumerian signs for numbers (A.Falkenstein: D=1 and o=10) and others said that D’s imitated rations,breads or DDoc are the Moon phases (M.Merlini).

Khirbet Qeiyafa Ostracon (Iron Age I–II transition) 10 century B.C.
See https://kids.britannica.com/students/article/D-d/273894

Anyway, the scribe knew well that signs, wich allready existed around him, he did not need to invent any of these signs instantly “on the spot“. D sign was used for letters later in archaic Greek (850 B.C.) and a little later Anatolian alphabets.The ladder sign also, for heta/eta by greeks and for e by Anatolians. From Chapter 8 Europe-II – The Unicode Standard, Version 13.0 <<The ancient Anatolian alphabets Lycian, Carian, and Lydian all date from the first millennium bce, and were used to write various ancient Indo-European languages of western and southwestern Anatolia>> ————- So the signs on tablets not must have necessary a sumerian origin, nor the scribe to be a native sumerian. Otherwise many signs on tablets could be found in all Aegean writings and in Anatolian writing.So the place and time of origin could be rather Aegean area (Crete? 2.000 -500 B.C) or Anatolia.(200 B.C-500 A.D.)

https://books.openedition.org/ausonius/2732

https://tied.verbix.com/project/script/asiam41.gif

FROM ARCHAIC GREEK AND ANATOLIAN ALPHABETS WE HAVE MANY SIGNS ON THE TABLETS AND BOTH VERY PROBLEMATIC H & D SIGNS ! I am asking myself if some pictograms and ideograms (of sumerian origin) could be transmited through ages with lost meanings and used in rituals ?

http://www.visitalbaiulia.city/worlds-oldest-writing-system IMG_1895low.jpg

————- If one not take “H” and D-s signs as beeing archaic Greek or Anatolian but imitating sumerian proto-cuneiform signs, then entire tablet’s content appear sumerian-like.That’s why scholars A.Falkenstein, A.A.Vaiman and R.Kolev. First twoo, realised instantly that the writing was not proper sumerian, but sumerian-like. Even the title of a paper explicitated this : http://www.archeo.ru › izdaniya-1Археологические вести. Спб, 1994. Вып. 3. Аннотации.A. A. Vaiman. On the Quasi-Sumerian tablets from Tartaria. With this understanding they interpreted tablets as beeing sumerian. A.Falkenstein noted that some signs are not exact like those proto-cuneiform but alike, imitated sumerian, sumerian-like. The proto-cuneiform signs were used for a relatively short period of time (3,500-3,000 BC), then from 3,000 BC until 1935 no human eye saw them. Because they were buried (a few meters underground under Eanna temple, Uruk). Thus, the diffusion of these signs was somehow limited. See Uruk culture expansion: https://www.researchgate.net/figure/Expansion-territorial-de-la-cultura-de-Uruk-aubet-2007_fig2_269696365 ———– Please see, Uruk culture expansion not reached inner Anatolia or Aegean.The scribe definitely was not sumerian, rather Aegean or Anatolian trader, or even from a much close place. Probably signs interpretation is not conducting to a consistent message; some meanings are single, emerging from the signs itself. – I have no explanation for the scribe intention to show sumerian-like signs. Or: – I will never understand the motivation of the scribe in his ambition to show somebody how writing evolved throughout time, or show (us) how many Sumerian signs he knows. ——– I searched throughly, kept researching in detail and after deep thought, I finally came to the same conclusion as Emilia Masson: “If it was fake, their manufacture would be attributed to a great expert in the field, at the same time a fine connoisseur of archaic writings which to my knowledge Romania does not have ” eugenrau: …If chasing our tails/rainbows of course we can see moon phases, but an epigraphist must follow rules and search for signs of writing. As naturally Adam Falkenstein and Aizik Abramovich Vaiman exactly did.

Ce semnificau perechile de stalpi centrali din incintele de la Gobeklitepe ?

March 21, 2021

Dupa cate am putut vedea, se pare ca nici-un cercetator din zecile care au atacat problema, nu s-a putut pronunta de o maniera clara si hotarata. Adica sa spuna clar ce reprezentau pentru locuitorii de la Gobeklitepe.Pentru ca la vechimea si perioada in care au fost construite parerea generala este ca nu aparusera inca zeitati antropomorfe. Cu totul alta ar putea fi situatia doar 600 de ani mai tarziu, (datata circa 9000 BC) cu “Omul din Urfa”. Acela chiar putea fi intr-adevar o zeitate. In plus este si antropomorfa.

Urfa Man: The 11,000 year old... - Origins Conference | فيسبوك
فيسبوك – Facebook Urfa Man: The 11,000 year old… – Origins Conference | ف https://www.facebook.com/OriginsConferenceLondon/posts/1044849728981197

Apoi daca erau spirite parerea generala este ca puteau fi spirite ale stramosilor. Chiar cu o seara inainte nu am putut adormi si vre-o doua ore in sir tin minte ca am avut o serie de idei valoroase din care sper ca incet-incet sa-mi reamintesc o parte.In orice caz, parerea mea este ca e vorba de spirit. La pilonul/monumentul tot de data mai tarzie, neolitic B, PPNB dupa neolitic A, PPNA tot in forma de T descoperit in Turcia la Adiyaman-Kilisik, se vede mai bine silueta umanoida (Din The First Adam, Androgyny, and the ‘Ain Ghazal Two-headed Busts “Neolithic B stone statue from Kilisik at the foot of the Taurus Mountains “) :

A rather odd figure: The so-called Kilisik Sculpture from Adıyaman, Turkey  – DAI Blogs

DAI Blogs
https://www.dainst.blog/a-rather-odd-figure-the-so-called-kilisik-sculpture-from-adiyaman-turkey/

https://www.dainst.blog/a-rather-odd-figure-the-so-called-kilisik-sculpture-from-adiyaman-turkey/ <<În acest caz, exemplul Kilisik ar reprezenta prima descriere feminină asociată cu sculpturile în formă de T. Deoarece descrierea nu are caracteristici sexuale clare, aceasta rămâne o posibilitate destul de vagă și ambivalentă, care cere cercetări suplimentare.>> IN SCHIMB PILONII CENTRALI DIN STRATUL III/PPNA DE LA GOBEKLITEPE dupa parerea mea REPREZINTA SPIRITE ! Imaginea, din https://voyageturkey.net/wp-content/uploads/sanliurfa_1-678×381.jpg

Gobekli Tepe: Zero Point of the Time and World's First Temple |  VoyageTurkey.Net

Dupa ipoteza mea, este vorba de un spirit care preceda cu mii de ani conceptul complex sumerian reprezentat de ME. Semnul/icoana in forma de “T” s-a pastrat si perpetuat mii de ani, reaparand mai apoi ca semn proto-cuneiform pe la 4.000-3.500B.C.. https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns.html Sign https://cdli.ucla.edu/tools/SignLists/protocuneiform/archsigns/ME~a.jpg

Nota toate semnele proto-cuneiforme sumeriene au suferit in decursul timpului o rotatie de 90 de grade, asa incat sa nu ne necajim ca nu avem direct forma T.

Este adevarat, ca https://www.smithsonianmag.com/history/gobekli-tepe-the-worlds-first-temple-83613665/ <<Prapastia care ne separă de constructorii lui Gobekli Tepe este aproape de neimaginat. Într-adevăr, deși stăteam printre megalitii care se apropiau dornici să-și înțeleagă sensul, ei nu mi-au vorbit. Erau cu totul străini, așezați acolo de oameni care vedeau lumea într-un mod pe care nu-l voi înțelege niciodată. Nu există surse care să explice ce ar putea însemna simbolurile. Schmidt este de acord. „Suntem cu 6.000 de ani înainte de invenția scrisului aici”, spune el. „Există mai mult timp între Gobekli Tepe și tăblițele de lut sumeriene [gravate în 3300 î.Hr.] decât de la Sumer până astăzi”, spune Gary Rollefson, un arheolog de la Whitman College din Walla Walla, Washington, care este familiarizat cu opera lui Schmidt. „Încercarea de a scoate simbolismul din contextul preistoric este un exercițiu de inutilitate”.>>

Este conceptul oarecum mai rudimentar sau mai degraba incipient al acestui Me, pentru ca se va vedea ca inca din 9.600 B.C. avea o semnificatie complexa.La sumerieni, Me este esenta oricarui lucru,fapt sau fenomen care tine de viata practica,sociala si religioasa care guverneaza alcatuirea si desfasurarea lor si este de origine divina.

Din https://en.wikipedia.org/wiki/Me_(mythology) << În mitologia sumeriană, un Me (𒈨; sumerian: me; akkadian: paršu) este unul dintre decretele/hotararile divinitatii care este fundamental pentru acele instituții sociale, practici religioase, tehnologii, comportamente, moravuri și condiții umane care fac posibila civilizația, asa cum Sumerienii au înțeles-o posibila. Ele sunt fundamentale pentru înțelegerea sumerienilor a relației dintre umanitate și zei.>>

Pilonii nu reprezinta o zeitate anume si ca atare nu aveau un nume, cu atat mai putin unul concret. Nefiind o zeitate antropomorfa nici nu are aspect omenesc, ci reprezinta o entitate ceva mai abstracta fara o forma anume, cel putin fara o forma cunoscuta. Inchipuitiva ca putea sa reprezinte idea si spiritul vietii.Atunci au facut ca sa fie vizibil ca spiritul are legatura, tangenta cu fiintele si oamenii si de aceea au figurat asa foarte pe departe niste brate.La alti piloni si ideea de feminitate,procreere, totusi pilonii nereprezentand o zeitate ci “spiritul Vietii”.dupa unii cercetatori, Me inseamna dupa unii “legile divine”;”puterile divine”,iar dupa altii se traduce “Vointa de a trai” sau “Fiinta”. Este cumva firesc ca in mod periodic sa se adune sute de oameni la monumente, ei referintuse la pilon “a fi”, “fiinta”. Se pune problema daca chiar a existat semnul, inainte reprezenta tot sunetul me, apoi in ce limba, ce insemna me !? Dupa unii civilizatia imediat precedenta celei de la Gobekli Tepe a fost cea natufiana. A se vedea:NATUFIAN ORIGIN FOR AFROASIATIC?http://languagehat.com/natufian-origin-for-afroasiatic/?fbclid=IwAR10OppBacQvPe65bWDvy2iZQKQCwgKBiUxgvhtylqdzNjJSRQIVs8qtXjY <<The possibility of Natufians speaking proto-Afro-Asiatic, and that the language was introduced into Africa from the Levant, is approved by Colin Renfrew with caution, as a possible hypothesis for proto-Afro-Asiatic dispersal. Posibilitatea natatuenilor de a vorbi proto-afro-asiatică și de a introduce limba în Africa din Levant este aprobată de Colin Renfrew cu prudență, ca o posibilă ipoteză pentru dispersia proto-afro-asiatică. >> Altii zic si presupun Anatolia ca fiind locul de origine al familiei Indo-Europene. Oricum la baza tuturor sta presupusa limba nostratica. Toate cautarile si cercetarile mele in mare parte de natura lingvistica conduc la: ME = “esenta”; “puteri divine”; “a fi”;”fiinta” ;”eu, mie,meu,pe mine” ;”ai nostri”

is.muni.cz › PAPVB_13 › Mi…PDF Sumerian – IS MUNI have tried to include Sumerian within the hypothetical Nostratic … The Sumerian verb me “to be” can be used independently, but is most ..

www.jolr.ru › files › (5)jlr20…PDF Once Again on the Comparison of Personal Pronouns in Proto … de K Babaev · 2009 · Citat de 6 ori — person singular nominative *egHo(m) vs. oblique *me-. … coincidences, like Indo- European *me ‘me’ = Sumerian (Eme-sal) me ‘ id.’.

Talk:Sumerian language/Archive 1 – Wikiwand http://www.wikiwand.com › Talk:Sumerian_language › Arch.. <<Me – I, me; nostratic “ME, MI, -M” – I, me, 1st person; turkic “Men” – I.>>

books.google.ro › books The Nostratic Macrofamily: A Study in Distant Linguistic Relationship Allan R. Bomhard, John C. Kerns — 2011 · Language Arts & Disciplines *mé—/*mo— ‘more, abundant, considerable’: Old Irish mar ‘great’; Oscan mais ‘more’; Gothic mais … Sumerian me ‘abundance, plenty’.

Early minoan sign “labrys” of sumerian origin ?

April 17, 2019

 

We have the folowing sumerian proto-cuneiform labrys-like signs,

From https://cdli.ucla.edu/tools/signlists/protocuneiform/archsigns.html                          Sign AB~a “house,temple”                                                                                                  Another sumerian sign almost identical is the sign UNU Folowing you see the sign UD-UNU (sign UNU under sign UD:”sun”)                                                                                             From enenuru.proboards.com/                                                                                                      “The formula for a geographical name is this: DN+UNU This stands for – divine name + the sign UNU – . What is interesting to note is that these geographical names, for example UD+UNU (Larsa), or SHESH+UNU (Ur), seem to be direct adaptions of the Early protoliterate City Seals. This becomes clearer still when we note the cuneiform sign UNU, a part of the geographical names, (when flipped vertical) appears to be a direct adaption from the ‘base’ or ‘stand’ in the seals. It symbolises the abode of the deity, so UD+UNU, is the home of the Sun god, and the UNU is a part of his temple or ziggurat. And here we see the ePSD entry for unu as dwelling: “unu [DWELLING] (1511x: Lagash II, Ur III, Old Babylonian) wr. unu6; unu2; unu “banquet; dining hall; the most sacred part of a temple; seat, throne; dwelling, domicile, abode; temple”

Sign ZAG~a  and ZAG~c 

s155239215.onlinehome.us/turkic/40_Language/SumerDictionaryEn.htm

 

————————————————————————————–                                                   From  https://www.researchgate.net/figure/Diachronic-change-in-sign-forms-between-Archanes-Script-AS001-and-Cretan-Hieroglyphic_fig11_328919412

We see, minoan sign, excepting the handle, is close to sumerian ZAG-sign.

MINOAN LABRYS SIGNS WERE FOUND IN MANY PLACES (caves) WHERE WORSHIP RITUALS WERE PERFORMED.                                                                                                      Labrys signs and double-headed axes (labrys) made of gold and bronze, were found in caves where rituals for an astral-Goddess A-SA-SA-RA were performed and also in the Bull-God/Minotauros and King Minos palace.                                                                                                                                                                                                                                                     I AM NOT SURE IN WICH MEASURE LABRYS WAS AN ICON OF DIVINITY AND POWER OR WAS A PLACE-MARK OF THE GODDES or KING(MINOS)/SUN-GOD-BULL SHRINE, PALACE AND PLACE, “LABYRINTHOS”                                                                                    Remember that above-described ssumerian signs were related to:                                            –  abode,temple (AB,UNU) and to                                                                                                     –  shine of metals (ZAG)                                                                                                                  IN FACT SIGN LABRYS WAS                                                                                                                 – related to”LADY OF THE LABYRINTH” and her  SHRINE (A-DI-KI-TE    DA-PU-RI-TO-YO(LABURYINTHOS)                                                                                                                           – the sign itself depicts the phisical object, the metal double-axe/LABRYS                         So if not had a direct sumerian origin,                                                                                      IT IS EVIDENT A RELATION EITHER OF SHAPE AND OF MEANINGS BETWEEN SUMERIAN SIGNS AN LABRYS

Note                                                                                                                                                          I remark that no other best or close analisis/aproach on the early Aegean “labrys sign” possible origin and coresponding  meaning exist, or was made by anybody else. ( eg. compare with Mrs. G.PAPAKITSOS & I.KENANIDIS similar approaches)

===========================================                                                               Minoan sign could had at the origin the sumerian proto-cuneiform signs, but as well could emerged independently, or rather BOTH HAD AT THE ORIGIN THE SHAPE OF THE ORION CONSTALATION , wich for both civilisations was related to archaic hunter/fighter so an icon of power ! (same at egyptians Usir(Osiris)/god-Sirius/star-Orion/constellation relation.                                                                                                                                                 Not “maybe” but sure, the story begins in time of the paleolithic hunter-gatherers, falowed by the shepperd-hero, but from the start maintaining a continous relation with the sky and stars so these personages being in same time astral deities.

From O R I O N: THE ETERNAL RISE OF THE SKY HUNTER http://www.andrewcollins.com/page/articles/Orion.htm

<< This small plate, made of mammoth tusk and just 38 millimeters (1.5 inches) in length, 14 millimeters (0.55 inches) in width, and 4.5 millimeters (0.18 inches) in thickness, was found in the Geißenklösterle Cave in the Ach Valley of southern Germany (see fig. 1). Carved into its surface is a human figure, thought to be male, his arms raised above his head and his right leg extended as if about to walk. Dr Michael Rappenglück, an expert in ancient astronomies with the University of Munich, believes the tiny panel shows an abstract image of the Orion constellation (Whitehouse, 2003, and Pettitt, 2003). The figure’s slim waist and “sword,” which hangs between the figure’s slightly parted legs, one shorter than the other, appears to confirm this conclusion. Rappenglück proposes that the carved image is a depiction of Orion as the sky hunter. On the panel’s reverse are 84 mysterious notches, pecked out with a sharp instrument. These might easily signify the number of days in three complete lunar months, each of 28 days in length, linking the panel perhaps with the female menstrual cycle, and even human pregnancy. Yet Rappenglück goes further, suggesting that the 84 notches mark the total number of days the Orion star Betelgeuse (Alpha Orionis), remained visible in the sky around 32,000 years ago. If Rappenglück is correct, we have in this panel not only one of the oldest known representations of the human form, but also the first “star chart” in human history.>>                                                                                                                                        Fig. 1. Small ivory plate found in the Geißenklösterle Cave in the Ach Valley of southern Germany, thought to show the figure of Orion in his role as the sky hunter.

From The oldest representations of the Orion constellation. http://www.abovetopsecret.com/forum/thread1017579/pg1

From Orion Constellation Myths of Sumer, Babylon and Egypt http://www.astronomytrek.com/orion-constellation-myths-of-sumer-babylon-and-egypt/

Earliest story concerning Orion was recorded by the Sumerians who ruled the southernmost region of Mesopotamia, or the land lying between the rivers Tigris and Euphrates. To this urban civilization, the constellation represented their hero Gilgamesh, whose exploits were immortalised in the first surviving piece of heroic literature called the Epic of Gilgamesh. While records point to Gilgamesh being a historical king who ruled over the Sumerian city of Uruk in southern Mesopotamia sometime between 2700 and 2500 BC, the mythology describes Gilgamesh as a demigod possessing superhuman strength whose great accomplishments assured his divine status amongst his subjects.

Amongst Gilgamesh’s many great deeds was ordering the city walls of Uruk to be built, and wrestling with the wild man, Enkidu, representing the natural world, who was sent by the gods to humble him. Following a fierce battle, they became great friends, and enjoyed many adventures together, including killing Gugalanna, the Bull of Heaven, who had been unleashed by the supreme god Anu to kill Gilgamesh after an appeal by his daughter the goddess Inanna (Akkadian: Ishtar) whose affections Gilgamesh had spurned. The Sumerians subsequently honored the struggle by depicting Gilgamesh in the celestial heavens as the constellation of URU AN-NA (“the light of heaven”) fighting a bull, identified as the modern nearby constellation of Taurus. Amongst the attributes ascribed to the constellation of URU AN-NA was a bow in Gilgamesh’s left hand, an axe in his right, and a sword hanging from his belt.          …………………………………………

The ancient Egyptians believed that the gods descended from the three stars of Orion’s Belt, and the bright star Sirius in Canis Major. Orion was originally regarded as the god Sah (Sahu), the “father of the gods”, with Orion’s Belt imagined as a crown upon his head, while the star Sirius was his wife Sopdet (Sothis), a fertility goddess whose earliest depictions were either as a reclining cow with a flower between its horns, or as a woman wearing a tall crown adorned with a five-pointed star.

Sah and Sopdet were later syncretized with the deities Osiris and Isis, and while the appearance of Sirius (Isis) rising with the Sun (heliacal rising) around the time of the summer solstice following a 70 day absence heralded the flooding of the Nile and thus the start of the agricultural year, the appearance of the three “king-stars” of Osiris (Orion) at night after a similarly absent period, before pointing to Isis, signified the flooding’s end around the time of the winter solstice.

The constellations associated with Osiris and Isis showed the deities standing on their separate celestial boats, both with human appearances, but with Osiris having green skin and a false plaited beard. Osiris was the deity in charge of death, the afterlife, and reincarnation, and the Kings Chamber in the Great Pyramid of Giza, completed around 2560 BC, was built with its southern air shaft pointing towards Orion’s Belt as a celestial marker for the pharaoh who would unite with Osiris in the afterlife and inherit eternal life. Incidentally, its northern shaft aligns with the circumpolar stars, where his soul would ascend to the celestial realm of the indestructible, undying stars that never set, a perfect destination for a king’s soul.

From Amanda Laoupi: the Pelasgians spiritual substratum of the Bronze Age Mediterranean and circum-Pontic world (4)                                                             http://www.q-mag.org/amanda-laoupi-the-pelasgians-spiritual-substratum-of-the-bronze-age-mediterranean-and-circum-pontic-world-4.html

 

<< Thus, the author estimates that the labrys was mainly a Moon/Venus symbol, representing both the female elements of chthonic prehistoric cults of the Great Mother Goddess, and the destructive powers of cosmic and natural phenomena, later transformed into a dual archetype like the ankh, symbolizing the wholeness of the Cosmos and of human nature (Nikolaidou, 1994: symbol of dualities like male/female, nature/culture, Earth/Sky).
On the other hand, the author agrees with the amazing hypothesis which has been made by Henriksson and Blomberg (2011, p. 65) naming Orion/Sirius as the Minoan constellation of the Double-Axe! This fact could explain the strong correlation of the Moon/Venus with Sirius.

=The hypothesized Minoan double axe on 21 September 2000 BCE, at 23.23 local mean solar time, at Knossos, when Sirius became visible above the Ailias ridge. The center of the door of the Central Palace Sanctuary is at azimuth 100° (http://minoanastronomy.mikrob.com/ fig. 5).After Henriksson and Blomberg, 2011, p.65=

The double-axe was, also, correlated with the ‘horns of consecration’, often being the symbol of Poseidon, the ‘Earth-Shaker’ or of Zeus with his thunderbolts (Evans, 1901, p. 107; Castleden, 1990, p. 130, pp. 135-136; Haysom, 2010). Moreover, in the ancient Anatolian and Mesopotamian myths, the great goddess had a male companion in the form of a tree or a bull, e.g. Kybele-Attis, Ishtar-Tammuz, Aphrodite-Adonis (Evans, 1901; Nilsson, 1950, pp. 400-404 and Figs. 56, 61, 71-73). This youthful god was also depicted with goddesses on the tree-shrine scenes of Minoan seals, having a central position in the Minoan religion as a male fertility god, a ‘Year-Spirit’ (Castleden 1995, pp. 125-26). The sacred tree, the sacred bull, the young male ‘Year-Spirit’ were part of a general symbolism. Thus, according to one version of symbolic decipherment, the Cretan Dionysos/Adonis, the Minoan & Mycenaean Poseidon/Poteidan, and the deity of double axes may all have been expressions of the same Minoan god, who could have been the male partner of a Minoan female solar deity (Evans, 1901, p. 168; Evans, 1930, pp. 457-458; Castleden, 1990, p. 129). On the other hand, the priests at Delphi were called ‘labryades’. Other researchers (Cook, 1914; MacGillivray, 2004, p. 332) interpret the double-axe as the symbolic marriage of solar and lunar calendars, which produce Asterios (the knowledge of the starry sky’s periodicities).   …………………….>>

==========================================

Note                                                                                                                                                      On the Tartaria oblong tablet with hole, picture:                                           https://www.dacoromania-alba.ro/nr27/cultura_si_civilizatiile_la_tartaria.htm

cultura_si_civilizatiile_la_tartaria_03                                                              We have 2 signs (lowest row, 2nd and last signs) wich are  both close to sumerian sign ZAG but in my opinion much close to sumerian signs AB and UNU/UNUG.                           In this case signs are not related much to labrys but to BOUNDARY, DWELLING, TEMPLE, ABODE. (Same opinion has bulgarian assirologist R.Kolev) ===============================

From Orion (constellation) https://en.wikipedia.org/wiki/Orion_(constellation)

Orion is a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous[1]and recognizable constellations in the night sky.[2] It was named after Orion, a hunter in Greek mythology. Its brightest stars are the supergiants: blue-white Rigel (Beta Orionis) and red Betelgeuse (Alpha Orionis).

The earliest depiction linked to the constellation of Orion is a prehistoric (Aurignacianmammoth ivory carving found in a cave in the Ach valley in West Germany in 1979. Archaeologists estimate that it was fashioned approximately 32,000 to 38,000 years ago.

Ancient Near East

The Babylonian star catalogues of the Late Bronze Age name Orion MULSIPA.ZI.AN.NA,[note 1] “The Heavenly Shepherd” or “True Shepherd of Anu” – Anu being the chief god of the heavenly realms.[6]

In ancient Egypt, the stars of Orion were regarded as a god, called Sah. Because Orion rises before Sirius, the star whose heliacal rising was the basis for the Solar Egyptian calendar, Sah was closely linked with Sopdet, the goddess who personified Sirius. The god Sopdu is said to be the son of Sah and Sopdet. Sah is syncretized with Osiris, while Sopdet is syncretized with Osiris’ mythological wife, Isis. In the Pyramid Texts, from the 24th and 23rd centuries BC, Sah is one of many gods whose form the dead pharaoh is said to take in the afterlife.

Greco-Roman antiquity

Orion’s current name derives from Greek mythology, in which Orion was a gigantic, supernaturally strong hunter of ancient times,[11] born to Euryale, a Gorgon, and Poseidon (Neptune), god of the sea in the Graeco-Roman tradition.

Asian antiquity

In China, Orion was one of the 28 lunar mansions Sieu (Xiu) (宿). It is known as Shen (參), literally meaning “three“, for the stars of Orion’s Belt. (See Chinese constellations)                                                                                                                                     The Rig Veda refers to the Orion Constellation as Mriga (The Deer).[16] It is said that two bright stars in the front and two bright stars in the rear are The hunting dogs, the one comparatively less bright star in the middle and ahead of two front dogs is The hunter and three aligned bright stars are in the middle of all four hunting dogs is The Deer (The Mriga) and three little aligned but less brighter stars is The Baby Deer. =======================================

Image, “Harappan seal” https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRToMSHOPcst4tIFUgy53GANQssbtaRO8fYzmvfsSTRYvLnzu1P

Image result for indus script metal ingot

 

From Bronze-age glyphs and writing in ancient Near East: Two cylinder seals from Sumer http://bharatkalyan97.blogspot.com/2013/04/bronze-age-glyphs-and-writing-in.html

                                                                Impressions of two cylinder seals (Sumer) and glyph of ‘ingot’. The person at the feet of the eagle-winged person carries a (metal) dagger on his left-hand, clearly demonstrating the link with this metalware catalog.

The Tartaria tablet’s scribe was a dilettante !?

March 27, 2019

First of all, I am reminding you that all three tablets are containing rather a medley/congeries/hotchpotch of signs.  Worse, there are 3 distinct types of signs:                                       – pure pictographic-ones , on the squarred tablet without hole. Every picture is representing exact the object pictured: goat-picture for goat, vegetal motif for vegetal (e.g. cereal); bad drawn silhuette for kind of personage.                                                                                                                                                   – a category of signs between pictograms and syllabograms. Even we have “head-with-ears” and “closed-contour” signs, that signgns there are rather logograms or ideograms, “calf” and “house/temple” .Those signs are on the squarred tablet with hole.                                                                                           – On the round tablet, signs could be as well ideograms but also syllabograms and even letters (letters on upper half).                                                                                                                                                    All signs on all 3 tablets not pertain to a single attested writing sistem. The signs seem have different origins in time and space.Such great number of signs are found only in the proto-cuneiform stage.                ——————————————————–                                                                                             If attempt to interpret tablets using sumerian proto-cuneiform signs, the first dificulty encountered is that only half of the signs have exact sumerian shape, the rest are more or less “alike”.In no instance sumerian used scratched D-shape signs. the signs for number 1/60 have some-howe close shape but they made them by imprinting. The gar sign wich is read ninda. “bread” wich represented food-cereal portion, is a D wich in fact has inside a paralel stroke. So writing it is not original sumerian.Sumerians not used mixing/combining different type of signs (pictograms combined with ideograms). Even in the learning tablets they proceed by making lists with ocuppations, and list with determinatives (wood products, numbers etc). Every period of time is reflecting its stage of writing developement).                                                                                                                      ———————————————————                                                                                                   No Anatolian writing could be applied for reading attempt, despite that there are many signs from different Anatolian writings (especially from Carian). Have no sufficient signs ; e.g. from carian alphabets (only few are missing).                                     ——————————————————                                                                                                 This “cronical lack of signs” is happening if one try to use every known writing: Cretan hieroglyphic, linear A, Linear B and so on. ==========================================                                                                                            Why diletante ?                                                                                                                    Because no scribe and in no known instance in the World displayed an hotchpotch of signs. And because,  (personally don’t know how comes or happened), it semms, there are evidences :                                                                                                                                            – not (serious) intention to write,                                                                                                         – lack of neccesary knowledge, but rather                                                                                      – unwanting, unaware the scribe put on that tablets a heap of signs wich normally could not be found in the same period of time. Exemple:                                                             – Exact shaped D signs and ladder-signs were not used by sumerians.                              This ladder-shape was used by sumerians in proto-cuneiform stage (sign Ku, closed contour shape), by Cretans (hierogliphic Cretan/first from 2.500-2.200B.C.) and Linear A,B

https://www.researchgate.net/figure/The-Cretan-Hieroglyphic-table-of-signs-by-Evans-1909-232-3_fig1_273096050 Semnul Nr.45

But with exact this speciphic shape with “slanted/offset bars “was used only by Canaanite, Phoenician, Paleo-hebrew, archaic Greek (Cretan) and Phoenician- inspired Mediterranean writings (e.g. Etruscan,Venetic, south-Iberian etc.)                                                                                                                  – D shape was not used in any writing as for D-letter before archaic-greek writing/alphabets (first rounded D used in Chalcis,800-500 B.C.!) Even little before, the P/D shapes were used in Crete for letter “R“. See:                                                                                                                                               An Archaic Greek Inscription from Crete Author(s): Lilian H. Jeffery and Anna Morpurgo-Davies                   https://www.ling-phil.ox.ac.uk/files/jeffery-amd_archaic_greek_inscription_from_crete_british_museum_quarterly_36_1971.pdf                                                              ==================================

Some few question remains :                                                                                                                  – from wich period of time (possible lasting to nowdays) was “the writer“?                                                   …. Even I understand that from early Bronze age aegean and Crete was an efervescent different cultures and commercial crossing, but what is bothering me and really make me angry is the fact that I don’t know for sure:                                                                                                                                                               – when and from where he/she/”writer” got  acquaintance of the sumerian proto-cuneiform sign AB and sumerian AMAR/Aegean Ma signs ?                                                                                                    Note                                                                                                                                                                   In this situation nobody expects that every tablet to carry an concrete, fully understandable logical message, and much less to have a relation/corelation betweeen that messages)                                        Even in the above described messy situation and context, there is a slight but real possibility, if writer come from a not so far period of time, with knowledge of the archaic greek writing (and greek or latin language), to have an real writing only in the upper half of the round tablet (the same part with signs wich happens to be covered and hidden by the other squarred tablet with hole).                                           ———————————————————————                                                                      Out of many scientists, only Marco Merlini is for a “Danubian writing“. But not sustaining with one exemple that Vinca-Turdas Culture got to the final stage of true writing. Not showed that got even to proto-writing stage, and not interpreting one sign. He preffered to give “unknown, forgotten, mystical meaning” for every sign.                                                                                                                                    Other scientists showed similarity with sumerian proto-writing (A.Falkenstein, A.A.Vaiman,R.Kolev) but stressed that there is no proper sumerian proto-writing (Falkenstein,Vaiman).                                               All others beeing puzzled by rather unusual weird  sign composition, are reffering to kind of sumerian or other writing mimicry. As a consequence, the scribe possible extracted no message from the tablets.           Also many of them are for an illiterate scribe wich used the tablets only as paraphernalia,”hiera”: religious-related object wich helped in performing some religious rituals.                                                  ========================================                                                                    From The Lost Civilizations of the Stone Age https://books.google.ro/books?isbn=0684862700 Richard Rudgley   “But the string-holes on two of the Tartaria tablets appear to be a feature without … that the tablets represented a garbled and ‘senseless’ mimicry of Near Eastern ..”

From an investigation into the origins of writing – Forums.gr http://www.forums.gr/filedata/fetch?id=1875482

It should be pointed out that the early date ascribed to the Tărtăria tablets has …. made as mimicryof the signs themselves, in imitation of an admired culture”

 From the tartaria tablets – jstor https://www.jstor.org/stable/24926226 by MSF Hood

“SUMERIAN WRITING of the period around 3000 B.C. covers a clay tablet found at Jemdet. Nasr’ in Mesopotamia. … on tablets found at Tartaria in Romania (see illustration on opposite page). ….. prehending imitation of more civilized peoples’ …”

From The Mystery of Tatárlaka • Klára Friedrich – Cakravartin cakravartin.com/wordpress/wp-content/…/mystery-of-tatarlaka-klara-friedrich.pdf

 Tatárlaka signs were just an imitation of the Sumerian writing and were brought to…”

From Chapter 3 “Existence of an archaic script in Southeastern Europe: A … https://www.academia.edu/…/Chapter_3_Existence_of_an_archaic_script_in_Southeas&#8230;

Tărtăria tablets, the icon on the possibility of a European Neolithic writing ….. It is well-known that the apotropaic power is specially felt among illiterate people” …

From THE ORIGIN OF WRITING: – Dacia.org www.dacia.org/no-one.html

These tablets revealed a much older version of the same flood legend. …. a way to extend memory but also a tool for the elite to justify their rule upon the common, illiterate people. .”.

From Protochronism – Wikiwand www.wikiwand.com/en/Protochronism

Also noted are the exploitation of the Tărtăria tablets as certain proof that writing originated on proto-Dacian … A Dacian script or the work of an illiterate potter?

 From Aspects of the Balkans: Continuity and Change: Contributions to the … https://books.google.ro/books?isbn=311088593X

Henrik Birnbaum, ‎Speros Vryonis -Analogies to the Vinča script occur in the earliest Sumerian writing of the Late … A. Falkenstein, “Zu den Tontafelnaus Tartaria”,      “. Of 24 signs on the Tartaria tablets five correspond to signs from Mesopotamia.”

From The Tartaria Tablets | Antiquity | Cambridge Core https://www.cambridge.org/…/tartaria-tablets/C824E021256A41A254FF5A847EB57E0… by MSF Hood – ‎1967 –

It seems unlikely however that the tablets were drafted by a Sumerian hand or in the Sumerian …. [25] A. Falkenstein, Archaische Texte aus Uruk (Ausgrabungen in .”

From interdisciplinarity in archaeology and historical linguistics https://periodicos.ufpel.edu.br/ojs2/index.php/lepaarq/article/download/4888/4476 by M Mertzani –

“(GIMBUTAS, 1982) such as the Vinča–Turdaș tablets ca. …. scripts also demonstrate similarities; that is, half of the signs are similar to Linear A scripts. ….. MERLINI, M. A comparison between the signs from Tartaria, the Danube script and …”

From Acta Terrae Septemcastrensis https://books.google.ro/books?id=q-pjwVI1Vz0C                                 “The hypothesis that the Tartaria tablets represent only a writing-like design was … made with a magic purpose without any real understanding, possibly by a person who saw the usage of such tablets .”

 From The Civilization of Ancient Crete https://books.google.ro/books?isbn=0520034066 Ronald Frederick Willetts  copied for magical purposes, without understanding of their meaning, from the … Similarities between the Tartaria tablets and the earliest known clay tablets of ..”

From TĂRTĂRIA AND THE SACRED TABLETS http://www.cimec.ro/pdf/dl.asp?filename=Lazarovici-Merlini-Tartaria-and-the-Sacred-Tablets-2011.pdf

“We also note when single Transylvanian signs are in alignment with the set of signs established by subsequent ancient scripts such as the Indus script, the Akkadian cuneiform, Hieroglyphic Luwian, Cretan Linear A, Cretan Hieroglyphic, and Cypriot syllabary. The main aim is not to find hazardous hits from analogies with other systems of writing in order to implement the ‘decipherment’ of the messages encoded in the tablets. It is to verify whether or not the Transylvanian informational geometries are restricted to the Danube script, or if they are also rooted in other literacy systems of the ancient world…………………                                                                                                                                         We will investigate the signs from Tărtăria starting from the observation we have already formulated in different articles and books concerning the coexistence on them of an exoteric message and an esoteric one1181. It is noteworthy to consider the possibility of overlapping the two tablets, both bearing a round puncture and divided into cells. The hole on the rectangular tablet fi ts precisely the hole on the circular tablet, and the former artifact perfectly covers the upper register of the latter with their cells in perfect alignment. The lower edge of the oblong tablet exactly superimposes the horizontal line running on the round tablet, and the vertical line incised on the fi rst artifact from the edge of the hole downwards meets exactly the vertical line incised on the lower register of the larger artifact thus forming a continuous line. This superimposability could mean that the rectangular and circular drilled tablets have been worn one over the other as pendants of a necklace, the small rectangular tablet placed over the larger disc-shaped one. Mo re signifi cantly, the possibility to overlap the two artifacts could also mean that overt (seen) signs and esoteric (hidden) signs both occur in the resulting assemblage between them (i.e., the signs on the upper register of the circular tablet would have been covered). The tablets aggregate the attributes of ritual artifacts, amulet-tablets, and amulet-archives possibly worn by Milady Tărtăria1182.                                                                                        The message to be conveyed by the tablets is likely based on a relationship between exot eric and esoteric signs. The fact that the two punctured tablets could have been utilized as superimposed exoteric and esoteric amulets is indicative of the magical associations of the script1183. The upper esoteric register of the disk-shaped tablet was hidden to uninitiated persons. It was necessary to lift up the oblong tablet in order to see the secret text incised on the upper register of the circular tablet. The question of the non-visibility of some texts is not only indicative of magical associations of the Danube script and its employment in liturgies, but it reveals even the sacral nature connected with initiation processes of this kind of literacy. Was the sacr ed inscribed compound particularly in use during initiation ceremonies?   If this was the case, it does not facilitate any attempts to decipher the incised signs since one is dealing with texts that challenge the un-expressible, not only reveal but also conceal and sidetrack, and finally indicate something to mean something else. …………………..                                                             They were worn or hung, one over the other, and the resulting combination may have created a relationship of overt (seen) and esoteric (hidden) signs (i.e., the signs on the upper register of the circular tablet would have been covered). ………………

Nonetheless, the original Near Eastern signs of literacy might have lost their authentic functions having been merely copied and used as symbols of a religious or magical character without an understanding of what they actually meant.Semiotically, the hypothesis that the Tărtăria tablets bear only a writing-like design is based on the argument that the signs of literacy do not appear together in the same groups as they do on the Mesopotamian tablets. Two signs that occur separated, but in adjacent groups, on the Tărtăria discoid tablet are joined together on some of the Jemdet Nasr tablets to compose the name of a god: EN-GI.                                                                                                                                                         A Transylvanian “intellectual” copied two Sumerian signs, but was not capable to unite them to write properly the divine name. No scholar from that side expresses doubts that perhaps the ancient Transylvanians had no intention to write down the name of a Sumerian god. According to them, the illiterate presence of signs of literacy at Tărtăria might refl ect the awareness that they were marks of great power, combined with ignorance of the signifi cance of writing. The conviction that signs of literacy are carriers of magic powers is exactly the reason why their mere graphic imitations have been deposited in a ritual pit-grave with fragments of human bones. “The tablets, in all probability, are mere imitation of original Mesopotamian ones, made with a magic purpose without any real understanding,possibly by a person who saw the usage of such tablets somewhere, between Southern Mesopotamia and Southeastern Europe, without a real knowledge, however, of the art of writing…”                                                             ==============================

In my long-term research, (allmost 10-12 years), in the Tartaria tablets sumerian approach/reading attempts, I extracted all possible meanings. I could say even more, if comparing with other scientists reading attempts.                                                                  As one easily can see my papers with critics on A.Falkenstein, A.A.Vaiman and Rumen Kolev interpretations.As you will se I found in their papers some wrong sign identifications, missing interpretation of some signs etc.                                                  Even they are top-level assyrologists and some high-specialised in sumerian proto-writing= sumerian proto-cuneiform, I have no explanation at hand, probably this was caused only by rush?/ not according sufficient time for analisis, in order to get as close as possible to every single sign.

Also without emphasys, from my recollection, I was the single one to close-compare the signs with Aegean writings signs (Cretan hieroglyphic, Linear A and Linear B) trying to interpret them and extract possible meanings