This page must be understood to be kind of probe and testing, as to check in wich measure, or how close the supposed Tartaria tablet writing goes toward, or fitts the Aegean-one. You must know that the signs on the tablets are closest to sumerian proto-cuneiform ones. Then follow at the same level Anatolian and Aegean writings. The conclusion is:                           – there is no genuine sumerian nor genuine Aegean writing on tablets.              MANY ASSYROLOGISTS (AND ME ALSO) SUSTAIN (in the best case), AN QUASI-SUMERIAN WRITING                             But no wonder, is reflecting an Anatolian-European continuum, and there would be a simple explanation for this fact:                                                                                  Possible, as hypothesised Mr.I.Kenanidis and G.Papakitsos for minoan writing, the Minoans were early sumerian migrants.I AM EXPECTING THAT UNDER DIRECT SUMERIAN INFLUENCE, MINOANS SOME-HOW ADAPTET THEIR CONCEPTS (particularly that of the signs) TO THEIR CULTURE OF OLD-EUROPE TYPE ;                                                                                                   DON’T KNOW FROM WICH STAGE OF THIS PROCESSUS ARE COMING THE TABLETS !  ==============================================================


Image from ESCRITURA DE TARTARIA http://www.proel.org/index.php?pagina=alfabetos/tartaria


We have upper-left side, those D-s (3 signs)

(In close shape, but by imprinting, sumerians used to express numbers.

Were found in economic transactions.Signs are not imprinted as in sumerian (cuneus cuneiform) technique with the opposite edge of sharpened-one edge of stylus, so I wonder if  the writer was a native sumerian.

From https://www.voceavalcii.ro/39794-decrypting-of-tartaria-inscription-part-2-rectangular-amulet.html

Here maybe No.2, where the indication line is black.

Those 3 signs, “>>>”?, “)))”,could be (as in sumerian) number 3 or 30.                                                    (after Rumen Kolev http://www.su -varna.org/izdanij/Magazin%201%20conf/Pages%20from%2046%20to%2053.pdf interpretation:”3 (months ?)                                                                                                      CONCLUSION: “30/3 (Months ?)”                                                                                                              ——————————————————————————–

  1. Close to these signs, downward, we have sign No.1 as ear of cereal
  3. Usually associated with agriculural products as barley:                                             Image,from http://www.mesopotamia.co.uk/writing/story/page06.html
  4.                                                                                  From http://people.ku.edu/~jyounger/LinearA/

LINEAR A *04 (TE), common

In linear B,

Linear B, Cretan“TE” “Wheat


Note that this sign rather pertain to proto-writing. Cause in linear B we have signs for specific kind of grains (wheat visa barley):


(Rumen Kolev http://www.su-varna.org/izdanij/Magazin%201%20conf/Pages%20from%2046%20to%2053.pdf interpretation, with the sign underneath:”3-months corn in the temple”                            CONCLUSION: Together those 2 signs,could be interpreted as                                                                                        “ (30), 3 /volume measures of some sort of cereal grain”(gr.sitos) ?”                                  =====================================================

Next downward,this Y-shaped sign (! drawn separately in a box !)will see what could be.

  1. (sign No.3)

Table from https://www.researchgate.net/figure/The-Cretan-Hieroglyphic-table-of-signs-as-suggested-in-the-inscriptions-corpus-Olivier_fig3_273096050

the-cretan-hieroglyphic-table-of-signs-as-suggested-in-the-inscriptions-corpus-olivier No.019 ;024 ?                                                                                                                                                        Y-sign= linear B= “SA?

From http://www.ancientscripts.com/lineara.html “Once again applying Linear B reading to the previous Linear A texts, we see the sign sequence ja-sa-sa-ra-me. This sequence is very interesting because it appears very often in many other such votive inscriptions in slightly different variants.


FINAL READING: “SA”                                                                                                                            From   http://people.ku.edu/~jyounger/LinearA/                                                                      *31, SA, perhaps a logogram for *SA-SA-ME?;

From http://people.ku.edu/~jyounger/LinearA/                                                                                      JOHN JOUNGER SA (HT 114b.1) or SI (HT 30.1) = paid?

FINAL READING: “SA”  ========================================================                                     Next, to the right, vertical separation line ! sign 4

Next,downward, folow a sign No.4

wich ressemble violin,labrys?/ 2 merged lozenges ?;


Note: the sign  is repeated as the last sign on the tablet

Close to the cretan hierogliphic sign 042 (Labrys) <see table above>


Not much to see.  But here’s its Linear A counterpart:

The sine qua non is the interpretation of labyrinth as “Place of the Double Axes,

The Cretan Hieroglyphic evidence is even more explicit:

There are saying that the sign is at the origin of “A”:

From Essays on Ancient Anatolia in the Second Millennium B.C. https://books.google.ro/books?isbn=3447039671

Prince Mikasa no Miya Takahito (son of Taishō, Emperor of Japan) – 1998 – ‎Civilization, Assyro-Babylonian

reconstructed an IE *peleku14 of sacred use that would go back to a pre-IE digging implement of the Mesolithic of NW Europe and pre-Mesolithic … Mycenaean dapur-, Hittite tabarna/tla- barna/labarna(s) from a Sumerian balag, Assyrian pilakku, Sanskrit paraqu, Greek pelekus, designating a certain type of axe.

    (Rumen Kolev:”temple”,good!)

By one side, the sign has the exact shape of the sumerian proto-cuneiform sign “AB=house,temple” and by the other side labrys is the king, divinity icon, and present in most of the minoan temple/shrines, especially in Minos palace. So could be the house of the labrys :LABYRINTHOS.                                                                                                    CONCLUSION:  LABRYSICON related either to Goddess A-Sa-Sa-Ra  and ITS HOUSE-TEMPLE, cave-shrine, LABYRINTHOS                                                                                                ——————————————————————————————                                                  Next, an insect/miriapod-like sign !?! is found in more and less simylar shape all over:

As a refference, Sumerian “DINGIR”/God/sky    From https://cdli.ucla.edu/tools/signlists/protocuneiform/archsigns.html&nbsp; sign “AN


          sum.AN it is:God, Heaven

But! If URUK “dingir” has 8-11 spikes our sign have 12 (limbs)

Note that is not in a shape of wheat-ear or plant but is in a star-like shape.The difference in “spikes” number is not much problematic in my opinion.So why not,or possible to be something star-like i.e. “a GOD”?   But much,much close,(if rotated 90deg)    (count the number of lines! totaly 12 in sumerian sign as in our)                           ——————————————————————

From http://www.namuseum.gr/collections/prehistorical/mycenian/mycenian13-en.html

“KE”? (2-nd in the first row) ??

(Rumen Kolev rendering:”Sun”)                                                                                    CONCLUSION:                                                                                                                                            I will change my final interpretation of the sign, from “God, Heaven” ,”Sky-God” to “SUN”, cause beginning from minoan time, appeared the multy-rayed symbol and sure was the Sun !                                                                                                                                          —————————————————-                                                                                                 Next, donkey head-like picture or sign shape.In sumerian the sign was AMAR:”CALF”, but minoans took the sign and changed finaly to a kat-like shape.


Note the scribal hand sign Ma with big ears as in our tablet!

(Rumen Kolev rendering:”bull Enlil”)

  CONCLUSION                                                                                                                                  The “long-eared head” is not related as in sumerian to AMAR “calf” ,Sun- calf/bull , but derived from the sumerian root “ama=mother”, it is MA: Aegean Mother-Goddess MA: Aegean Mother-Goddess                                                                                 ————————————————

Second sign from the end backward,right edge,upper sign.Sincerely at this sign I run out of… resources.

Sign Mo, MU !

See the paper: BUCRANIUM SYMBOL AND SIGN Cornelia-Magda Lazarovici, Gheorghe Corneliu … – Arheovest  arheovest.com/simpozion/arheovest3/03.pdf

“In Vinca-Turdas culture were found hundreds of artefacts of different kinds with the shape of a bucranium (bull-head). Or shape intricated or depicted in a way or another in them.”

The horned-head as poor as is depicted could be that of a bull. Especially cause of the sturdy/massif head.

But I explain why radher is bull. (Rumen Kolev http://www.su-varna.org/izdanij/Magazin%201%20conf/Pages%20from%2046%20to%2053.pdf rendering “bull” and the underneath sign “in/of/for the sacrifice”!?)

Cause the Bull was related to Gods/SUN and rullers (MinoTAUR).As in ancient East the bull was associated with the Sun.                                                                                            CONCLUSION                                                                                                                                        Horned-like icon is the Aegean Bull, “MU“, whoever was related to.                                       ——————————————–                                                                                                            And downward we have the very icon of  Sky-God and of the Earth counter-part,ruller Minos the DOUBLE-AX shape,

Note: By sumerians bull head associated with double ax-shape was sign AMAR + sign AB

Meaning         Bull-calf  + House/abode

Wich by them those pair-signs, ment       NERGAL      (a pair of the Sun, underground hypostasis)

(the fierry hott Sun of the mid-day time, later an underwold&death GOD(dess)

So, we have the heavenly Bull=SUN asociated with his GOD/royal sign LABRYS and his temple-house LABYRINTHOS

As Zeus Labraundos,Keraunos was depicted with the axe in his hand.

In this case nothing is necessary to be added and those signs don’t need to be much comented/translated or interpreted, it could be,

INTERPRETATION OF THE WHOLE TABLET:                                                                          AN OFFERING, ( 3/30 grain, wheat? units) SACRIFICE on THE SHRINE,TEMPLE TO THE MOTHER-GODDESS and to the SUN-BULL-GOD.                                                                                                                       ———————————————     

Румен Колев         interpretation of the last 2 signs: “cattle in/of/for the sacrificed”)

One Response to “TARTARIA SQUARED TABLET WITH HOLE/19 Linear A/B approach”

  1. correction Says:

    Good post! We will be linking to this great content on our website.

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